Talky uplift and a self-congratulatory tone bog down the novel, but through compelling characters, Netzer raises a...

SHINE SHINE SHINE

Netzer’s debut, about a heavily pregnant woman left to care for her dying mother and autistic son while her Nobel-winning husband travels to the moon, takes the literary concept of charmingly quirky characters to a new level.

Sunny is born in Burma in 1981 to missionary parents. After her father’s death at the hands of the Communists, Sunny’s mother, Emma, settles with Sunny in rural western Pennsylvania, where she mistakenly hopes Sunny will be accepted despite her glaring abnormality—she is hairless and permanently bald, and Emma will not allow her to wear a wig. Sunny finds her soul mate in Maxon, the youngest son of cartoonishly abusive white-trash parents. If Sunny is brilliant and a little odd, Maxon is a genius far along the autism continuum. For Maxon, whose work with artificial intelligence has made him rich and won him a Nobel by age 30, the boundary between human and robot is erasable. He plots interpersonal interactions in terms of mathematical formulas. Nevertheless, he and Sunny’s love is shown as Shakespearian in its passion and depth. But when Sunny becomes pregnant with their son Bubber, maternal instincts push her toward conformity: wig wearing and suburbia. She wants to cure Bubber of the autism he has evidently inherited and becomes less patient with Maxon’s exceptionality. Sunny is far along in her second pregnancy and coping with Emma’s approaching death from cancer when Maxon leaves for his mission to colonize the moon with robots. While he faces a crisis in space that shows him how much his relationships on earth matter, Sunny stops wearing her wig, medicating Bubber to control him and maintaining Emma endlessly on life support. She drops her pretense of normality, only to realize that there may be no such thing as normal; everyone wears a metaphorical wig.

Talky uplift and a self-congratulatory tone bog down the novel, but through compelling characters, Netzer raises a provocative question: Is autism a disability, a gift or the norm of the future? 

Pub Date: July 17, 2012

ISBN: 978-1-250-00707-0

Page Count: 320

Publisher: St. Martin's

Review Posted Online: June 24, 2012

Kirkus Reviews Issue: July 15, 2012

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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