This potentially poignant story of misplaced emotional attachments and misremembered pasts falters under its wispy tone.

FAITH BASS DARLING'S LAST GARAGE SALE

Under the looming shadow of Y2K, the very proper Faith Bass Darling hauls all of her priceless family possessions onto her front lawn for a very improper yard sale in Rutledge’s debut novel.

Surprised and delighted to catch sight of the reclusive Faith, neighbors and strangers descend upon the Darlings’ lawn to snap up Tiffany lamps and Spode china for quarters. Alarmed less by Faith’s evident Alzheimer’s than by the shocking loss of capital, Bobbie Ann Blankenship rushes over to save what she can. Now sole proprietor of the Yesteryear Antique Shop, Bobbie plans to keep Faith’s possessions safe from unscrupulous buyers until Faith consents to a dignified estate sale, or until Faith’s daughter, Claudia, comes home. But first, Bobbie might just take that mysterious elephant clock—the one item Faith does not want to sell. Claudia hasn’t been home in 20 years, not since she hid a certain family ring, a ring passed down from her great-great-grandmother Belle, a ring replete with a three-carat diamond surrounded by seed pearls, a ring inscribed Love Eternal, a ring hidden in a desk on the Darlings’ lawn. A failed Buddhist, Claudia doesn’t want the ring for itself but for the chance it offers to invest in her dream of becoming part-owner of an upscale fitness club. Once home, Claudia must confront her mother’s illness, as well as the return of her first love, Deputy John Jasper Johnson. With the help of John Jasper, Bobbie, Father George and Dr. Peabody, Claudia begins to understand her mother, her mother’s illness and their relationship. Faith herself confronts the memories of her past as she moves from room to room, object to object. Those memories contain some dark family secrets having to do with the deaths of her husband, Claude Angus Darling, and her son, Mike.

This potentially poignant story of misplaced emotional attachments and misremembered pasts falters under its wispy tone. 

Pub Date: April 26, 2012

ISBN: 978-0-399-15719-6

Page Count: 304

Publisher: Amy Einhorn/Putnam

Review Posted Online: March 19, 2012

Kirkus Reviews Issue: April 1, 2012

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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