A novel that explores great torment and small mercies.
Jane Steele seeks retribution and redemption in Faye’s latest novel, an homage to Jane Eyre.
By the time she's 24 and an undercover governess at her ancestral home, Jane is well acquainted with death. Having been orphaned and sent away to the hellish Lowan Bridge School by her cruel Aunt Patience, Jane has committed a few murders “for love and for better reasons.” But when news reaches her that her aunt has died, Jane is determined to find out whether or not she is the rightful heir to her late father’s estate. Her tenuous claim to the property is threatened threefold: female inheritance is practically nonexistent in 19th-century England, she's a criminal, and a certain Charles Thornfield is now the owner of Highgate House. Jane takes the governess position hoping to reclaim the estate but finds instead that Thornfield and his Sikh butler, Sardar Singh, are embroiled in the aftermath of the Anglo-Sikh wars, fighting off the infinite greed of the East India Company. Faye (Fatal Flame, 2015, etc.) crafts a story with all the trappings of a period romance: children play both heroes and villains; Thornfield is an attractive, war-weathered, and jaded shadow of a man, close but not quite close enough to touch. But what makes this novel its own type of pièce de résistance is Jane’s relationship with Jane Eyre. Jane is writing down her story because she has “been reading over and over again the most riveting book titled Jane Eyre, and the work inspires [her] to imitative acts.” Each chapter begins with a short excerpt from Charlotte Brontë's work, and Jane’s interpretation of the classic novel lifts her story out of standard romance and into conversations about identity, guilt, and truth. Jane writes, “Some tragedies bind us, as lies do; they are ropes braided of hurt and bitterness, and you cannot ever fully understand how pinioned you are until the ties are loosened.” And loosened they are, then knotted even further, and unlaced only to be retied in new circumstances.
A novel that explores great torment and small mercies.Pub Date: April 12, 2016
ISBN: 978-0-399-16949-6
Page Count: 432
Publisher: Putnam
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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