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A REAL DAUGHTER

A morbidly eerie and artfully crafted psychological thriller.

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A mother loses her infant child, and her grief haunts her attempts to start afresh in this novel.

Claire leaves Vermont and moves to Los Angeles, reinventing herself as a landscape gardener. She becomes romantically involved with a high school history teacher, Jake, but hides her past, neglecting to tell him about her baby Sarah’s mysterious death more than five years ago, or about her marriage that fell apart thereafter. Jake finally tells her about his own living 8-year-old daughter, Mandy, two years older than Sarah would have been, if the latter were still alive. Claire and Jake become closer as a couple, but Mandy’s ungovernably rambunctious behavior, and her father’s bottomless indulgence of it, becomes a sore spot between them. After Claire and Jake get engaged, Claire becomes pregnant, and she spontaneously reveals to Mandy that she once had a child who passed away. Mandy’s response is chilling: “Sarah was a spoiled baby….You hugged her too much….No wonder she died.” However, Mandy keeps the secret to herself, which Claire interprets as a tactical maneuver—a calculated ploy to maintain power over her. Claire also becomes plagued by emotionally wrenching memories of her late daughter, some which reduce her to sobs, and she seems increasingly unable to distinguish between imaginative reveries and lived reality. Then Claire’s vision of her child demands to meet Mandy, and Claire begins to feel that her pregnancy is somehow a betrayal of her lost daughter—a defiling of a womb that rightfully belongs to Sarah. Debut author McKelvey has a gift for conjuring and maintaining a sepulchral atmosphere of expectancy. As the plot progresses, the reader will become gradually and tantalizingly aware that he or she is being led to a dramatic crescendo. The author depicts Claire’s disconnectedness from reality with immersive effectiveness—it becomes hard, even for readers, to distinguish between her melancholic dreams and her dangerous hallucinations. A principal element of suspense fiction is the pace of disclosure, and the author manages this perfectly, effectively doling out enough information to keep the plot intelligible but not so much that it dispels the mounting sense of mystery. For example, Claire’s brother, Roger, is a pediatrician, and he’s still bewildered by his patient Sarah’s death, thinking that “There must have been something I missed.” Then Claire tells readers that she knows precisely why Sarah died—but reservedly leaves it an enigma. At times, Mandy’s character seems painted in overly rough strokes, as she’s not merely a spoiled brat but also cunning and darkly clever: a preteen monster. Also, there’s something vaguely but creepily sexual about the bond between Mandy and Jake, a distasteful aspect that’s emphasized when Mandy joins the newlyweds on their honeymoon. But such hyperbole also helps to amplify the fact that Claire and Jake share a grasping possessiveness about their respective daughters. Indeed, Claire’s territoriality is all the more unsettling because it extends to the dead—and even to her memories of the dead.

A morbidly eerie and artfully crafted psychological thriller.

Pub Date: Oct. 4, 2017

ISBN: 978-0-9972472-5-1

Page Count: 316

Publisher: Savant Books and Publications

Review Posted Online: Dec. 18, 2017

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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