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REFERRED PAIN

Name: REFERRED PAIN
Author: Lynne Sharon Schwartz
ISBN: 1-58243-301-1

AND OTHER STORIES

by Lynne Sharon Schwartz ‧ RELEASE DATE: Feb. 1, 2004

With echoes of Cheever, early Updike, even Shirley Jackson, Schwartz (In the Family Way, 1999, etc.) is master of stories...

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Elegant, elegiac stories about people whose lives—like everyone’s—haven’t worked out quite as planned.

“Referred Pain” is a medical term for when “the place where it hurts is not the source of the trouble,” and the characters here struggle to find out why they ache. In the title story, a Kafkaesque tour de force, the son of Holocaust survivors cracks a tooth on an olive pit and turns his ensuing and labyrinthine dental problems into a test of suffering. In “Hostages to Fortune,” the painful realism of a middle-aged couple’s bickering over their children is oddly heightened by the reader’s growing realization that the children are imaginary. The children in “The Trip to Halawa Valley,” however, are all-too-real causes of distress for a divorced couple who come together briefly at their oldest son’s wedding. The two briefly recapture their old intimacy but with it their shared sense of loss and disappointment. The protagonists of “Sightings of Loretta” and “Francesca” are men who learn how little they know, or are known by, their loving wives. Several stories among the 12 here use the writing process almost as metaphor. “Intrusions” lays out an incident—the attempted robbery of the narrator when she was a young mother—then deconstructs and reconstructs the elements to find its real subject: fear of the choices made in a life. “The Word” not written down is lost forever. And the aging novelist of “By a Dimming Light” hires an assistant at the onset of blindness, and the more he depends on the younger man’s decency, the more paranoid he becomes. Many tales also venture into dreamlike surrealism, as in the parallel world of “The Stone Master,” the fairy-tale abstraction of “Twisted Tales,” and the myth-making of “Deadly Nightshade.”

With echoes of Cheever, early Updike, even Shirley Jackson, Schwartz (In the Family Way, 1999, etc.) is master of stories that reflect an era’s uneasy psyche: sad yet wryly comic, told at a slight remove yet deeply moving.

Pub Date: Feb. 1, 2004

ISBN: 1-58243-301-1

Page Count: 304

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

Categories:

GENERAL FICTION

- BOOK REVIEW
TRUTHTELLING
by Lynne Sharon Schwartz

- BOOK REVIEW
THIS IS WHERE WE CAME IN
by Lynne Sharon Schwartz

- BOOK REVIEW
TWO-PART INVENTIONS
by Lynne Sharon Schwartz

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.