A sadly obtuse updating of Lolita, in which Homes (In a Country of Mothers, 1993, etc.) welcomes us into the private world of a middle-aged pervert whose slow life behind bars allows him ample space to reflect upon his career in pedophilia. The sexual preoccupations that have distinguished much of Homes's prior work are orchestrated here into a pervasive horniness so widespread among her characters as to seem a sort of pandemic obsession set loose on the world. Our narrator—whom we meet doing time for statutory rape, sexual torture, murder, and necrophilia— is an extreme case, but he seems to have found kindred souls at every step of his way. His lunatic mother, for example, gets him off to a good start by raping him in the bathtub not long before she kills herself, and this pretty well establishes the pattern of sexual relations throughout the tale. In prison, Chappy—we're given only his childhood nickname—relaxes by following the adventures of his pen-pal, a Scarsdale coed who knew the girl he murdered and is now in the process of deflowering a 12-year-old boy in the neighborhood while fooling around with his father on the side. Her preoccupations, of course, are the counterpoint of Chappy's own desperate (and apparently genuine) love for Alice, the unfortunate young girl whose fate has landed him in the pen. Homes, however, seems somehow unable or unwilling to accept the parallels that she has so clearly drawn between mental decay and sexual license. In any case, the sex scenes are described with an overriding flatness that makes them less disturbing than bizarre, and Chappy's eventual release on parole (which is sprung as self- consciously as the finale of any thriller) will succeed in offending more than it excites. Overall, confused in conception and annoying in the monotony of its own obsessions: a mad rant. (Author tour)
Pub Date: March 1, 1996
ISBN: 0-684-81528-1
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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