Pleasant but slightly pedestrian.
Fairy-tale fun for everyone. (Except trolls.)
Barnett and Klassen partner for a retelling of the classic folktale about a trio of variously sized goats (all named Gruff) and a troll whose greed ultimately leads to his downfall. The story has been told many times, but in this variation, Barnett shows off for his audience by giving the troll a substantial amount of dialogue, most of which rhymes: “I love goat! Let me count the ways. / Goat rump in a honey glaze. / Goat smoked, goat poached, a goat pot roast. / Goat smorgasbord! Goat smeared on toast! / A goat kale salad—hold the kale. / Goat escargot! (That’s goat plus snails.) / On goat I’ll dine, on goat I’ll sup. / You little goat, I’ll eat you up!” It’s amusing verbal play, and librarians and caregivers who love to read out loud will enjoy hamming it up, although it may lessen the scary impact of the character. Likewise, the artwork, created in ink, watercolor, and graphite and compiled digitally, is pure Klassen, and the brown, green, and blue tones combine into an earthy setting where the ratlike troll (sans tail) fits in perfectly. But the visual reveal of the third billy goat takes a bit of oomph out of the story, as readers will be able to anticipate that this troll won’t be having goat strudel anytime soon. Fans of either Barnett or Klassen will love this retelling, but librarians won’t be sending their Paul Galdone or Jerry Pinkney retellings out to pasture just yet. (This book was reviewed digitally.)
Pleasant but slightly pedestrian. (Folktale. 4-8)Pub Date: Oct. 18, 2022
ISBN: 978-1-3386-7384-5
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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