A WEEK IN WINTER

While Binchy’s stories are sketchier than usual, perhaps understandably rushed, her fans will find solace as hearts mend and...

The beloved, prolific Binchy’s posthumous last novel is classic Binchy (Minding Frankie, 2011, etc.), peeking into the lives of characters from various walks of life brought together at a newly opened inn on the West Coast of Ireland.

After 20 years in America and pretending she’s been widowed by an American husband she never actually married, Chicky returns to her hometown of Stoneybridge to turn an elderly spinster’s run-down cliffside mansion into an inn. To help renovate Stone House, she hires her childhood friend Nuala’s son, Rigger, whose history of delinquency has made Nuala desperate to remove him from Dublin, where she’s raised him as a single mother. Soon, Rigger is morally reformed and in love. To run the business end, Chicky hires her niece Orla, whose life in London has soured. Together, they get the place ready for the first week of paying guests: 34-year-old nurse Winnie arrives trapped into a vacation with her boyfriend’s sophisticated, disapproving mother. A famous American actor takes advantage of a missed flight connection to escape the trappings of stardom for a week. Married doctors come for a respite from their crippling if unwarranted sense of responsibility for the terrible deaths they have witnessed. The heir to a Swedish accounting firm, who has set his father’s expectations above his own love of music, comes to Stoneybridge to look up a musician friend. A husband and wife, whose lives together revolve around entering contests, consider their week at Stone House a disappointing consolation prize compared to the trip to Paris they didn’t win. A retired girls’ school principal receives the Stoneybridge vacation as a retirement gift she refuses to enjoy. And a clairvoyant librarian in love with a married man comes for a week to recover from her broken heart and avoid her second sight.

While Binchy’s stories are sketchier than usual, perhaps understandably rushed, her fans will find solace as hearts mend and relationships sort themselves out one last time.

Pub Date: Feb. 14, 2013

ISBN: 978-0-307-27357-4

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 20, 2013

Kirkus Reviews Issue: Feb. 1, 2013

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MAYBE SOMEDAY

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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