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ABIGAIL

Urgent moral questions underlie a captivating mystery.

Sequestered at a boarding school during World War II, a rebellious teenager confronts secrets, lies, and danger.

Published in Hungary in 1970, and translated into English for the first time by Rix, this intricately plotted novel by Prix Femina Étranger winner Szabó (1917-2007) (Katalin Street, 2017, etc.) complicates a predictable coming-of-age tale by setting it in perilous times: War rages, patriotism incites bitterness and bigotry, and a clandestine resistance movement stealthily arises. When 14-year-old Gina is sent suddenly from her home in Budapest to an elite religious school in the provinces, she feels deeply bereft: of her beloved governess, who was forced to return to her native France; of her aunt’s delightful tea dances; of encounters with a handsome lieutenant with whom she is infatuated; and, most of all, of her father, whom she loves so deeply that she “felt the world complete only when they were together.” Protected, indulged, and self-absorbed, Gina suffers protracted (and somewhat irritating) adolescent angst. She hates the academy: Once a medieval monastery, it looms like a fortress; girls, dressed in black uniforms, their hair braided unfashionably, are forbidden to bring jewelry, scented soaps, or even toothbrushes from home. Obedience to Christian precepts and school authority is strictly enforced—and, by Gina, repeatedly flouted. She breaks rules, antagonizes her teachers and classmates, and mocks rituals and traditions, including the girls’ veneration of a statue they call Abigail, which has the uncanny power to know everything that happens at the school and offer warnings and sage advice. “All my life I have been a wild thing,” Gina reflects. “I am impatient and impulsive, and I have never learned to love people who annoy me or try to hurt me.” But when her father, visiting unexpectedly, reveals the reason he had to send her away, she vows to behave and realizes that Abigail is watching over her. Far from a supernatural being, Abigail’s real identity, Gina believes, is “someone inside these fortress walls who lives a secret life.”

Urgent moral questions underlie a captivating mystery.

Pub Date: Jan. 14, 2020

ISBN: 978-1-68137-403-1

Page Count: 360

Publisher: New York Review Books

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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