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KATALIN STREET

Name: KATALIN STREET
Author: Magda Szabó
ISBN: 978-1-68137-152-8

by Magda Szabó ; translated by Len Rix ‧ RELEASE DATE: Sept. 5, 2017

A visceral, sweeping depiction of life in the shuddering wake of wartime.

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Three families, whose lives are inextricably linked by the street they inhabit, grapple with love and morality amid political upheaval.

In English for the first time and impeccably translated by Rix (The Door, 2015), Szabó’s quietly captivating novel excavates the tangled history of Hungary’s capital from the portentous moments before the German occupation to its suffocating postwar regime. In 1934, enveloped by a garden “teeming with roses,” we meet Irén and Blanka Elekes, Bálint Biró, and Henriette Held, the beloved children of three neighboring families who live on the titular Katalin Street. The four of them are inseparable, like cousins, apart from the fact that each of the girls, at one time or another, has loved Bálint, the major’s son. “Bálint was the sort of person who inspired that response from others without in the least intending to,” Irén observes. “You simply had to love him.” In Irén’s case, her unuttered desires are requited when she and Bálint are engaged a decade later. As soon as their celebration begins, though, it’s disrupted by a phone call and eclipsed by the reality of war; Henriette’s Jewish parents have been caught and deported and their home swiftly commandeered by authorities. But it’s the tragic death of 16-year-old Henriette, who's been hidden by the major and the Elekes family, that ultimately tears these families apart. By the time they’re eventually married, Bálint, who adored Henriette like his own sister, and Irén, who both loved and loathed the girl, are strangers, having long ago buried the happiness they once knew. Beset by a deep malaise from the aftershock of war, the Elekes family, forced from their home and dispossessed in every sense, live as ghosts, the past forever looping in their consciousnesses, “locked in the same hopeless quest to recover [Katalin Street].” And Henriette, a spectral presence hovering throughout the novel, acts as an onlooker, bearing witness to the emotional decay brought on by the relentless forces of age and memory.

A visceral, sweeping depiction of life in the shuddering wake of wartime.

Pub Date: Sept. 5, 2017

ISBN: 978-1-68137-152-8

Page Count: 240

Publisher: New York Review Books

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP

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THE MOST FUN WE EVER HAD

by Claire Lombardo ‧ RELEASE DATE: June 25, 2019

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

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Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

Categories:

LITERARY FICTION | FAMILY LIFE & FRIENDSHIP

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THEN SHE WAS GONE

by Lisa Jewell ‧ RELEASE DATE: April 24, 2018

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.