A visceral, sweeping depiction of life in the shuddering wake of wartime.
Three families, whose lives are inextricably linked by the street they inhabit, grapple with love and morality amid political upheaval.
In English for the first time and impeccably translated by Rix (The Door, 2015), Szabó’s quietly captivating novel excavates the tangled history of Hungary’s capital from the portentous moments before the German occupation to its suffocating postwar regime. In 1934, enveloped by a garden “teeming with roses,” we meet Irén and Blanka Elekes, Bálint Biró, and Henriette Held, the beloved children of three neighboring families who live on the titular Katalin Street. The four of them are inseparable, like cousins, apart from the fact that each of the girls, at one time or another, has loved Bálint, the major’s son. “Bálint was the sort of person who inspired that response from others without in the least intending to,” Irén observes. “You simply had to love him.” In Irén’s case, her unuttered desires are requited when she and Bálint are engaged a decade later. As soon as their celebration begins, though, it’s disrupted by a phone call and eclipsed by the reality of war; Henriette’s Jewish parents have been caught and deported and their home swiftly commandeered by authorities. But it’s the tragic death of 16-year-old Henriette, who's been hidden by the major and the Elekes family, that ultimately tears these families apart. By the time they’re eventually married, Bálint, who adored Henriette like his own sister, and Irén, who both loved and loathed the girl, are strangers, having long ago buried the happiness they once knew. Beset by a deep malaise from the aftershock of war, the Elekes family, forced from their home and dispossessed in every sense, live as ghosts, the past forever looping in their consciousnesses, “locked in the same hopeless quest to recover [Katalin Street].” And Henriette, a spectral presence hovering throughout the novel, acts as an onlooker, bearing witness to the emotional decay brought on by the relentless forces of age and memory.
A visceral, sweeping depiction of life in the shuddering wake of wartime.Pub Date: Sept. 5, 2017
ISBN: 978-1-68137-152-8
Page Count: 240
Publisher: New York Review Books
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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