by Maggie Gee ‧ RELEASE DATE: March 1, 1992
One big theme is not enough for British writer Gee (Grace, 1989, etc.), who throws in concerns about the environment, millennial angst and cybernetic sex as the Christopher and Alexandra of the title learn, along with us, that life's no fairy tale. The weather's hot even in England, the world's getting crowded, and the mood is imminent fin de siäcle as beautiful Alexandra and handsome husband Christopher decide they are ``going on a holiday and never coming back.'' They have the money, made by both from TV and writing, and intend to spend the rest of their lives traveling and making love. The two flee as intended, but leave behind Christopher's two adolescent children—lumpish Susy and awkward Isaac—who have never really taken to stepmother Alex, who in turn has treated them with barely suppressed irritation. The inevitable futility of the couple's escape is detailed by Christopher, Alexandra, Susy, and family friend Mary—all from the vantage point of the future where they can total the cost of the pair's indulgence. Isaac dies of AIDS; Susy, who loves children, has three abortions; Alexandra is unfaithful; and Christopher is sent to jail for manslaughter after he confronts Alexandra and her much younger lover. There is a happy ending of sorts in 2007, as the dying and much wiser Alexandra returns to London—and to Christopher. And the lesson they have painfully learned has suddenly a wider meaning. Their heedless self-indulgence is apparently a metaphor for us all: like us, they ``used the world until it grew tired.'' Gee can tell a story, but her ideas and characters are ill- matched. Chris and Alex are just too frivolous, too one- dimensional, to add anything more than a tiny footnote to the great debate between freedom and responsibility, either globally or domestically. An easy but flawed read.
Pub Date: March 1, 1992
ISBN: 0-395-60484-2
Page Count: 384
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
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BOOK REVIEW
by Maggie Gee
BOOK REVIEW
by Maggie Gee
BOOK REVIEW
by Maggie Gee
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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