An intriguing debut with an inventive spin on the generational family saga.
Generations of a Jamaican family grapple with the legacy of slavery and secrets.
“Perhaps, a life does not belong exclusively to one person,” thinks a character in Card’s debut novel, a rich and layered story about several generations of a Jamaican family. Secrets, Card shows, are part of what bind us together. One of this family’s biggest secrets involves Abel Paisley, who leaves Jamaica for England in the 1970s. When another Caribbean dock worker is killed in an accident and the White workers mistakenly think it’s Abel, Abel assumes the dead man’s identity. Abandoning his wife, Vera, and two young children, he marvels over “the one time racism worked” in his favor. Abel marries again and builds a new life in New York as the proprietor of a West Indian market, which turns out to be difficult in all new ways. But Card’s story doesn’t end there. She’s only just beginning. A public librarian who was born in Jamaica and raised in Queens, she brings to life Abel’s ancestors and descendants and those whose lives intersect with theirs, among them Abel’s abandoned wife; the servant who loved her; a precocious out-of-wedlock granddaughter; and the White descendant of the plantation owner who once enslaved and terrorized the family. This is a wonderfully ambitious novel: It sprawls in time from the uncertain present to the horror of slavery on a Jamaican plantation, examining racism, colorism, and infidelity and how they obscure and fracture a lineage. A gifted storyteller with an eye for detail and compassion for all her flawed characters, Card ends the book with an unsettling ghost story about insatiable hunger. We all hunger for something, she tells us: love, acceptance, freedom, an understanding of the past to know who we are, because our lives are never just our own.
An intriguing debut with an inventive spin on the generational family saga.Pub Date: March 3, 2020
ISBN: 978-1-9821-1743-6
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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