A slightly contrived but ultimately enjoyable thriller set in the shadowy world of medical experimentation.
An American expatriate in Thailand stumbles on a doctor’s bizarre genetic experiments in this debut novel.
After widower Benton Sims retired from his career as a Washington, D.C., intelligence analyst, he decided to move to Thailand. He spends his days hanging around the expat pub in Prajawan, drinking margaritas, swapping stories with the local transplants, and pining for his dead wife, Sylvia. There, he watches Siri perform; she’s the frontwoman of the Exploding Heads who hails from a tribal village in the Golden Triangle. Then, out of the blue, Siri disappears. Benton learns the rock singer had been a critic of the drug trials conducted among her people, the marginalized Palin, and that this has forced her to go underground. Benton seeks out Pierre Montha Bulsani, the physician who conducted the trials, but he unwittingly becomes a test subject himself. As the drugs begin to change Benton in strange and unexpected ways, he is drawn ever deeper into Pierre’s mysterious realm, where dead people turn out to be alive, the living are in danger of becoming dead, and the full, terrible potential of Thailand’s hidden plants may unlock the ancient, untapped potential of humanity. So much for a quiet retirement on the beach. Mani tells his story in taut, highly descriptive prose, capturing his Thai setting’s cornucopia of sights and tastes: One character sees “clusters of pimpled red lichees whose insides he remembered as soft and translucent, tangy-sweet and throat-tickling, and next to them were their scrumptious cousins the dumpling-like longans, and then bunches of thorny rambutans, their flavor acrid like over-ripened grapes.” The players are given elaborate backstories, and the thriller’s interests are varied and ambitious. Even so, the plot feels a bit shapeless at times, as though the author is trying to cram a lot of distinct components into one slightly cumbersome structure. But fans of more literary-tinged genre offerings like those of Chris Abani or John le Carré will enjoy Benton’s strange—even phantasmagoric—adventures in Thailand. Replete with questions regarding medical ethics and technologies, the book serves as the first volume of a trilogy.
A slightly contrived but ultimately enjoyable thriller set in the shadowy world of medical experimentation.Pub Date: Aug. 21, 2019
ISBN: 978-1-950743-10-0
Page Count: 266
Publisher: Calumet Editions
Review Posted Online: Nov. 14, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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