Illuminating reading from a highly engaged author.
A noted Canadian nonfiction writer examines the Palestinian conflict through the viewpoints of known and emerging Palestinian writers.
Di Cintio (Walls: Travels Along the Barricades, 2013, etc.) first traveled to Israel in 1999. When he returned again in 2015, it was to seek out Palestinian writers to learn how they, rather than activists and politicians, saw the Arab-Israeli conflict. In this literary travelogue, the author records his encounters with Arab writers from the West Bank, Jerusalem, and the Gaza Strip. His first meeting was with a childhood friend of Palestinian national poet Mahmoud Darwish. Both lived through the takeover of their village by Israeli soldiers in 1948, a moment that would mark Darwish and his writing forever. Fascinated by the lively literary scene in the West Bank city of Ramallah, Darwish’s home-in-exile for many years, Di Cintio explored the perspectives of other notable West Bank writers, including Lebanese-born Maya Abu-Alhayyat, who grew up knowing Palestine only “from what I saw on television.” A poet and short story writer, she eventually began writing for the most vulnerable of all Palestinians: children robbed of their innocence by parents and teachers who “want[ed] them to behave like adults and participate in the struggle.” In Jerusalem, Di Cintio met writers like 20-year-old Mohammed El-Kurd, whose poetry not only celebrated the contributions of women to the Palestinian struggle, but also actively “challenge[d] Palestinian masculine ideals.” Traveling to Nazareth, Di Cintio encountered Raji Bathish, a gay short story writer who vehemently rejected the idea that Israel’s accommodation of LGBTQ people was “evidence of [its] humanitarian virtue.” In the Gaza Strip, Di Cintio chatted with Asmaa al-Ghul, yet another outspoken young writer, whose stories about “ ‘honor killings,’ domestic abuse and government corruption have earned her scorn from Gaza’s authorities and an enduring notoriety from readers.” Interweaving history and politics, the book introduces Western readers to the modern Palestinian literary scene while celebrating the rich diversity of voices that comprise it.
Illuminating reading from a highly engaged author.Pub Date: Sept. 4, 2018
ISBN: 978-1-64009-081-1
Page Count: 256
Publisher: Counterpoint
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.
A master storyteller’s character-driven account of a storied year in the American Revolution.
Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.Pub Date: June 1, 2005
ISBN: 0-7432-2671-2
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
IN THE NEWS
PERSPECTIVES
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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