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SAFE IN AMERICA

An ambitious if too carefully calibrated second novel (Tales of the Master Race, 1991) chronicling the life and often perilous times—over the course of three generations—of one Jewish-American family. The story begins in 1967 with the fatal heart attack of family patriarch Evan Eichenbaum—a 1920's Hungarian immigrant, along with wife Vera—and then moves back through the past before fast- forwarding to 1993. Along the way, letters and affidavits are used to give a not always convincing feel of history in the making, as the Eichenbaums confront US immigration authorities, a son's 1940's wartime sacrifice, and the ravages of AIDS in the 90's. Once Vera and Evan accumulate enough money working in New York's garment district, they move to Cleveland and open a successful clothing store. Their three children—Hankus, Teddy, and Joy—regard themselves as Americans, and at first can't understand their parents' mounting anxiety about unfolding events in Europe. As the Nazis advance, Evan and Vera desperately try to get permission for their families to join them, but a rigidly applied quota system and unfounded allegations about a brother-in-law's political leanings confound them. Moved by his parents' concern, Hankus runs away to Canada, enlists, and is killed in battle. When the US enters the war, Evan, fearing that he might lose Teddy, too, buys a farm and insists his son run it, thereby making him ineligible for the draft. This step irrevocably embitters Teddy, who will refuse to visit either his dying father or, later, Joy's son, Hal, who's dying of AIDS. With the emphasis on wartime events and the reactions of Joy and her parents, the 1993 section is rushed, hurried through, seemingly there only to round out the book's premise. A novel with a resonant theme that should tug the heart strings but disappointingly doesn't. (Author tour)

Pub Date: May 24, 1995

ISBN: 0-06-017144-8

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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