Halter fleshes out the scriptural account with rich and credible portraits of contemporary life and history, even if his...

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SARAH

VOL. I, THE CANAAN TRILOGY

The prizewinning French author re-creates the story of Abraham and Sarah and the unlikely steps that led to their giving birth to both Judaism and the Jewish people.

We know that Abraham was the patriarch whose descendants were to be as numerous as the sands on the shore—despite the fact that his wife Sarah made it well into her 80s without bearing a child. Halter (Stories of Deliverance, 1997, etc.) follows the biblical line pretty closely, but he fills in a lot of detail that Moses never wrote down. We learn, for example, that Sarah is the daughter of a nobleman in Ur, in ancient Sumer, and that she is betrothed to a Sumerian prince. At the last minute, however, she rebels against her fate by refusing the marriage and running away. Hiding in the swamps outside the city, she stumbles upon a young man named Abram fishing for crayfish in the glades—and spends the night with him. Abram is a nomad, one of the mar.Tu people whose encampments encircle the city. Later on, Sarah returns to face the music at home but guarantees that she will never have to go through with the marriage by taking a potion that renders her infertile. Now unmarriageable, she becomes a priestess of the goddess Ishtar and presides over the sacred rites (especially the slaughter of bulls) in the temple. Years later, however, she meets Abram by chance and discovers that she is still in love with him. You know the rest: Abram and Sarah run off together and start a new race with the eventual and miraculous birth of their son Isaac, and the world is never the same again.

Halter fleshes out the scriptural account with rich and credible portraits of contemporary life and history, even if his narration (“There was a quivering in her belly that had nothing to do with fear or anger”) occasionally descends to the level of the bodice-buster.

Pub Date: May 4, 2004

ISBN: 1-4000-5272-6

Page Count: 304

Publisher: Crown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2004

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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To use the parlance of the period, a highly relevant retrospective.

SUMMER OF '69

Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.

As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.

To use the parlance of the period, a highly relevant retrospective.

Pub Date: June 18, 2019

ISBN: 978-0-316-42001-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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