A witty and compassionate lesson about the importance of empathy, friendship and family.


The life of a high school biology teacher parallels her cultivation of roses in Dilloway’s (How to Be an American Housewife, 2010) exquisitely written novel about love and redemption.

Thirty-six-year-old Galilee Garner suffers from kidney failure, a condition that has defined her life. After undergoing two transplants, which ultimately failed, Gal is back on dialysis while hoping for another kidney. She is insular, obstinate and regimented in her private life, and these attributes have spilled over into her professional life, making her unpopular with many students and their parents. Gal sets the bar high and refuses to cut anyone, including herself, any slack, and she has trouble viewing issues from anyone else’s perspective. Socially isolated except for fellow teacher Dara, who often drives Gal to and from her dialysis treatments, and Brad, a star student who helps Gal as part of his senior community service requirement for graduation, Gal rarely goes out. The only time she is relaxed and happy is when she is tending her roses, the one passion Gal allows in her life. A methodical breeder, Gal hopes to develop a rose that will win Queen of Show at competition. When her 15-year-old niece, Riley, appears at her school one day after a seven-year separation, Gal reluctantly allows Riley to move in. She resists the changes that occur in her orderly, measured and exact routine and stubbornly refuses to compromise her principles. But as Riley helps Gal with her roses and they begin to form a bond, she changes in slow but subtle ways. No longer as inflexible as she once was, even when she discovers a disturbing secret about her students, Gal reaches out to a fellow dialysis patient, a new colleague at school and her older sister.

A witty and compassionate lesson about the importance of empathy, friendship and family.

Pub Date: Aug. 2, 2012

ISBN: 978-0-399-15775-2

Page Count: 368

Publisher: Putnam

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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