by Margaret Mead James Baldwin ‧ RELEASE DATE: May 24, 1971
This encounter of scientific optimism and poetic pessimism has a 'ships that pass in the night' quality. Momentary illuminations flicker and fade into a jumble of psychological, historic, scientific and personal observations, intuitions and forebodings punctuated by assurances that Jimmy and Margaret at least can communicate and this is surely a GOOD THING. Ranging from New Guinea to Harlem to Paris and back again in search of psychohistorical as well as racial identities ("The one thing you really ought to be allowed to choose is your ancestors"), both look with dismay at the anti-historical, revolutionary romanticism of the kids: "To the extent that he doesn't have any past, he's trapped in it." Baldwin admits to difficulties in identifying with black Africans, dashikis and Afro haircuts. Keeping up with the changing language is a problem — "Have you learned to say Chicano yet?" Mead looks forward to the end of archaic institutions and to civilization run on a rational, planetary basis; Baldwin is still haunted by the fire next time and doubts whether Mr. Charlie can relinquish his hegemony without precipitating Armageddon. The suspicion that "what we call racism would seem to be endemic in human nature" is dangled and dropped and the subject of miscegenation is never raised. Neither a confrontation nor a meeting of minds, this is only occasionally right on.
Pub Date: May 24, 1971
ISBN: N/A
Page Count: -
Publisher: Lippincott
Review Posted Online: May 21, 2012
Kirkus Reviews Issue: May 1, 1971
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photographed by Ken Heyman & by Margaret Mead
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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