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STORMS OF THE INLAND SEA

POEMS OF ALZHEIMER'S AND DEMENTIA CAREGIVING

An affecting and expertly arranged set of poetic works.

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An anthology of poems by professional and family caregivers of people with dementia and Alzheimer’s disease.

Editors Stawowy and Cokas have personal experience caring for loved ones with cognitive impairments. In a foreword, Stawowy expresses the editors' wish that they had access to related poetry to guide them through “difficult days of change and coping,” so they curated this poetry collection by fellow caregivers to help readers in similar situations. She notes that caregiving “forces us to give up the luxury of viewing death and decline as an abstract concept and…brings us face-to-face with its inevitability in a way that intellectualizing never can.” The poems here aim to reflect that process by taking readers through the various stages of Alzheimer’s disease and their subsequent effects on caregivers. It’s divided into seven sections, beginning with poems about the early days of the disease (“Evening Gray”) before moving into later stages involving nursing homes and, eventually, death (“Salvage” and “Salt”). These poems are harrowingly honest, and sometimes brutal, in how they illuminate the realities of caregivers’ lives. In Felicia Mitchell’s “My Cheating Heart,” the speaker says, “Sometimes, if she’s not all that very wet, / … / I check my mother out of her nursing home / without changing a thing.” The courage of these poets to discuss these difficult, painful topics is admirable, resulting in a touching reading experience. Additionally, the collection’s fluid structure succeeds in highlighting diverse aspects of caregiving, including small, seemingly mundane moments that later loom large in caregivers’ memories. Stawowy and Cokas have produced an anthology of poems that honors caregiving work with compassion, just as flowers “move us / beyond the moment / of failed memory / into the present” in Barbara Hill’s “Hyacinths.”

An affecting and expertly arranged set of poetic works.

Pub Date: Oct. 11, 2022

ISBN: 978-1-956056-40-2

Page Count: 196

Publisher: Shanti Arts LLC

Review Posted Online: Aug. 23, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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