An affecting and expertly arranged set of poetic works.

STORMS OF THE INLAND SEA

POEMS OF ALZHEIMER'S AND DEMENTIA CAREGIVING

An anthology of poems by professional and family caregivers of people with dementia and Alzheimer’s disease.

Editors Stawowy and Cokas have personal experience caring for loved ones with cognitive impairments. In a foreword, Stawowy expresses the editors' wish that they had access to related poetry to guide them through “difficult days of change and coping,” so they curated this poetry collection by fellow caregivers to help readers in similar situations. She notes that caregiving “forces us to give up the luxury of viewing death and decline as an abstract concept and…brings us face-to-face with its inevitability in a way that intellectualizing never can.” The poems here aim to reflect that process by taking readers through the various stages of Alzheimer’s disease and their subsequent effects on caregivers. It’s divided into seven sections, beginning with poems about the early days of the disease (“Evening Gray”) before moving into later stages involving nursing homes and, eventually, death (“Salvage” and “Salt”). These poems are harrowingly honest, and sometimes brutal, in how they illuminate the realities of caregivers’ lives. In Felicia Mitchell’s “My Cheating Heart,” the speaker says, “Sometimes, if she’s not all that very wet, / … / I check my mother out of her nursing home / without changing a thing.” The courage of these poets to discuss these difficult, painful topics is admirable, resulting in a touching reading experience. Additionally, the collection’s fluid structure succeeds in highlighting diverse aspects of caregiving, including small, seemingly mundane moments that later loom large in caregivers’ memories. Stawowy and Cokas have produced an anthology of poems that honors caregiving work with compassion, just as flowers “move us / beyond the moment / of failed memory / into the present” in Barbara Hill’s “Hyacinths.”

An affecting and expertly arranged set of poetic works.

Pub Date: Oct. 11, 2022

ISBN: 978-1-956056-40-2

Page Count: 196

Publisher: Shanti Arts LLC

Review Posted Online: Aug. 23, 2022

Kirkus Reviews Issue: Oct. 15, 2022

Did you like this book?

No Comments Yet

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

Did you like this book?

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

Did you like this book?

No Comments Yet
more