A thorough, lovingly researched paean to a father and a way of life.
by Margaret Talbot ‧ RELEASE DATE: Nov. 8, 2012
New Yorker staff writer Talbot debuts with an affectionate biography of her father, stage, screen and TV actor Lyle Talbot (1902–1996).
Mingling memoir and relevant social and cultural history, the author shows how her father’s career in many ways paralleled the changes in the 20th-century entertainment industry. Born in Brainard, Neb., Lyle Talbot was raised by his grandmother in a rooming house/hotel catering to traveling salesmen. Stage-struck, the talented young man began as a magician’s assistant, then joined traveling troupes of actors who played in the opera houses of the Midwest. In 1932, he was off to Hollywood, where he soon became a contract player, then a budding star who socialized with many notables of the era (the Mae West stories are amusing), hung out at San Simeon with Hearst and other stars, married several times (none of the early marriages lasted long) and battled alcoholism. Author Talbot pauses continually to fill us in on such things as the history of gangster films, the rise of the talkies, Hollywood scandals, Hollywood actors on Broadway and wartime moviemaking. She also—perhaps excessively so—summarizes some films her father appeared in, a decision that manifests her great affection rather than her sense of narrative balance. When TV began to emerge, Lyle Talbot was right there, appearing on numerous shows, including a gig with Ozzie and Harriet. Talbot also includes an interesting section about fan clubs (her father had one) and about her father’s late, stable marriage to a far younger woman (it produced the author and her siblings).
A thorough, lovingly researched paean to a father and a way of life.Pub Date: Nov. 8, 2012
ISBN: 978-1-59448-706-4
Page Count: 432
Publisher: Riverhead
Review Posted Online: Aug. 22, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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More by David Talbot
BOOK REVIEW
by David Talbot & Margaret Talbot with Arthur Allen
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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More About This Book
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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