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LETTERS FROM BERLIN

A STORY OF WAR, SURVIVAL, AND THE REDEEMING POWER OF LOVE AND FRIENDSHIP

A truly surprising denouement caps a well-told postwar account.

A daughter turns her German mother’s harrowing memories of living through the liberation of Berlin into a moving insider’s account of the time.

Lieff assumed that her mother, Margarete Dos, who was a young teenager in Berlin during World War II and who died in 2005 at age 81, knew about the gas chambers and other horrors executed by Hitler’s regime. Her mother had never wanted to talk about the war and afterward, when Dos and her mother ended up in a Russian gulag for two years. However, finally hearing her mother’s memories over the three years they spent systematically recording them at the end of her life, then finding love letters to a German soldier her daughter had never heard of, threw tantalizing ambiguities over her mother’s life and provoked new questions for Lieff. The author does an admirable job of reconstructing her mother’s extraordinary journey, allowing the frankness of detail to reflect the integrity of her mother’s voice. Indeed, the young Dos went from an Edenic childhood in Swinemünde, with doting parents and a younger brother, to Berlin after her father’s death and the remarriage of her mother. Dos claimed her family never joined the Nazi Party and were always held in some suspicion; nonetheless, she and others were swept up in the general euphoria promised by the Nazis in the wake of hyperinflation and unemployment, until it all began to “feel wrong and frightening.” Dos attempted to study medicine and work as a nurse, even as she and her mother navigated bombings, food rationing and the liberation of Berlin by the Russians. Fleeing their savagery, they tried to make it to Sweden but were imprisoned for two brutal years in the Russian gulag.

A truly surprising denouement caps a well-told postwar account.

Pub Date: Oct. 2, 2012

ISBN: 978-0-7627-7798-3

Page Count: 400

Publisher: Lyons Press

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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