by Margarita Engle ; illustrated by Sara Palacios ‧ RELEASE DATE: March 6, 2018
A beautiful account of a young woman who knew that all she needed to reach her dream was courage and a chance to try.
National Young People’s Poet Laureate Engle brings to children the story of Aída de Acosta, who in 1903 became the first woman to fly a motorized aircraft.
In her trademark free-verse style, Engle tells the story of Aída, a white Hispanic teenager from New Jersey who, on a trip to Paris, is dazzled by the sight of a balloon gliding by with an air boat dangling beneath and a man inside it. Determined to fly too, Aída approaches the inventor of the airship: Alberto Santos-Dumont, a Brazilian inventor known in his country as the father of aviation, achieving flight six months before the Wright brothers. Aída learns to fly, and fly she does, much to the consternation of her contemporaries: “girls, they bellowed, should never / be taught how to fly / huge machines.” Palacios’ exuberant mixed-media artwork is vibrant and colorful, in tune with Aída. Readers will chuckle at her portrayal of an aerial dinner with the waiters on stilts. In a closing note the author gives additional detail, including Aída’s promise to her father that she would keep her daring deed a secret and, later in life, after losing an eye to glaucoma, her becoming the director of the first eye bank in America.
A beautiful account of a young woman who knew that all she needed to reach her dream was courage and a chance to try. (Picture book. 4-8)Pub Date: March 6, 2018
ISBN: 978-1-4814-4502-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Malala Yousafzai ; illustrated by Kerascoët ‧ RELEASE DATE: Oct. 17, 2017
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Oct. 13, 2020
A sanitized version of a too-short life.
A bobblehead avatar of the teenage writer and symbol of the Holocaust presents her life as an inspiration.
From a big-eared babyhood and a childhood spent “writing stories” to fleeing Germany for Amsterdam, Anne’s pre-Annex life is sketched. Narrating in the first person, the cartoon Anne explains that Nazis “didn’t like those of us who were Jewish or other groups who were different from them.” Hitler is presented as a leader “who blamed the Jews for all of Germany’s problems, even though we hadn’t done anything wrong.” Then in short order Anne receives her diary as a birthday present, the family goes into hiding, and Anne finds solace in the attic looking at the chestnut tree and writing. Effectively, Annex scenes are squeezed between broad black borders. Illustrations present four snippets of quotes from her diary, including “I still believe, in spite of everything, that people are truly good at heart.” Narrator Anne says, “You can always find light in the darkest places. That’s what hope is,” as she clutches the diary with Shabbat candles on one side and a menorah burning brightly on the other. In the next double-page spread, an international array of modern-day visitors standing outside the Anne Frank House briefly, in speech bubbles, wraps up the story of the Holocaust, the diary, the Annex, and the chestnut tree. Anne’s wretched death in a concentration camp is mentioned only in a concluding timeline. I Am Benjamin Franklin publishes simultaneously. (This book was reviewed digitally with 7.5-by-15-inch double-page spreads viewed at actual size.)
A sanitized version of a too-short life. (photos, sources, further reading) (Picture book/biography. 4-8)Pub Date: Oct. 13, 2020
ISBN: 978-0-525-55594-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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