A showcase for the overlooked writers of Cuba, the Dominican Republic, and Puerto Rico that's a bit heavy on surprise endings. Fern†ndez Olmos (Hispanic Studies/Vassar) and Paravisini- Gebert (Spanish/Brooklyn College)—coeditors of Pleasure in the Word: Erotic Writing by Latin American Women (not reviewed)—have assembled 25 stories by authors from a part of this hemisphere that is habitually underrepresented in anthologies. The editors write that they want to ``offer the reader the full range and variety of contemporary Hispanic Caribbean stories, attempting a balance of styles and subject matter.'' Still, the tales are linked by many common themes and concerns: the poverty of these islands, the vibrant life of their city streets, the pain of exile, the alienation of the intellectuals, and the beckoning presence of the American giant to the north. In one of the best, for example, RenÇ del Risco Berm£dez's ``Now That I'm Back, Ton,'' several of these themes intersect in a story of a bitter homecoming. Rosario FerrÇ contributes another striking first-person stream-of-consciousness, ``Colonel Bum Vivant,'' an initially coherent monologue from a homeless Vietnam vet that gradually reveals a tragically shattered mind. Although the majority of the pieces are disappointingly conventional, at least two—Humberto Arenal's ``Truffle Hunters,'' and Pedro Peix's ``Requiem for a Wreathless Corpse''—attempt daring experiments in shifting point of view. Peix's story, about a greedy family exploiting the corpse of a famous relative for profit, has the added advantage of being the longest in a book where most pieces are too short to develop satisfying solutions, relying instead on Twilight Zone-like plot twists for cheap irony. Finally, ``Tosca,'' by Abilio Estevez, is a bittersweet tale of a man haunted by an artistic experience from his youth, perhaps the best offering of the volume. Disappointing, overall, but not without some felicitous choices.

Pub Date: June 1, 1995

ISBN: 1-877727-36-9

Page Count: 250

Publisher: White Pine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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