HERETIC'S HEART

A JOURNEY THROUGH SPIRIT AND REVOLUTION

A stunningly revelatory chronicle of a generation long misunderstood. Adler has made a name for herself as a superb radio journalist (she's New York bureau chief for National Public Radio) and as a leading authority on paganism, feminist spirituality, and witchcraft (Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today, 1979). Now Adler proves herself a vital social historian as she shatters the myth that the 1960s were simply sex, drugs, and rock 'n' roll. Using her own life as a jumping off point, Adler insightfully traces the growth of a generation, the development of a society in flux, and her own spiritual, political, and intellectual evolution. The only child of rather unusual parents—her mother was a flamboyant radical educator while her father was a psychiatrist and the son of Freud collaborator Alfred Adler—Adler grew up in a home of Communist sympathizers during the McCarthy era. Throughout the '60s she was a Forrest Gump of sorts, on the scene at a variety of momentous events. She participated in the Free Speech Movement at Berkeley, the black voter registration drive in Mississippi, and the Cuban revolution. She also corresponded for a long time with an American soldier stationed in Vietnam. Through it all Adler wrote letters, lots of letters, which she uses as her memory bank. ``Much of my journey was already on paper before I sat down to write it,'' she notes in her introduction. To suggest that Adler's task was simply secretarial, however, is to belittle the depth and honesty with which she addresses her subject. She is extraordinarily open, not only in her analysis of the social movements she chronicles but also about herself and her attempts at understanding. A candid book whose look backward provides a hopeful blueprint for reviving the possibilities that seemed so endless in the 1960s. (Author tour)

Pub Date: Aug. 4, 1997

ISBN: 0-8070-7098-X

Page Count: 384

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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