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IMOGENE'S ELOISE

INSPIRED BY A TRUE STORY

A thrilling premise and a strong heroine hampered by shaky execution.

In this debut romance novel, a young woman becomes infatuated with a stranger and tries to track her down in New York City.

In 1970, New York City isn’t the most hospitable place for homosexuals and lesbians, and open dating isn’t a viable option. Many of them seek social solace in underground bars and clubs largely hidden from the public’s view. Imogene LaPin becomes a regular at one, Johnny’s, but typically fends off the advances of both men and women alike, with her sexuality largely a mystery, in part even to herself. But one night, she mistakes a glass of undiluted gin for water and knocks it back with abandon. Under the liberating influence of its effects, she asks a woman she met earlier that night to dance. When Imogene wakes the next day in a fuguelike fog, she realizes that she knows nothing about the woman she met and frantically decides to somehow find her. Meanwhile, she has an unusual deal with her best friend, Andy Wink, that the two will marry on St. Patrick’s Day if at that time they’re both still single. Wink is gay and looks forward to the social respectability such an arrangement will bring, and so he actively discourages and even attempts to sabotage Imogene’s search. In this first installment of a planned trilogy, Quantaíne memorably depicts a social cosmos born in response to nearly ubiquitous prejudice. New York figures prominently like a geographic protagonist, a city of deep contradictions, both a magnet for the progressive vanguard and a home to timeless discrimination. This unconventional tale is as refreshingly bold as its lead character, Imogene. There simply aren’t many contemporary novels that explore the romantic plight of homosexuals and lesbians in New York City during the 1970s, a group that didn’t benefit as quickly and obviously as others from the sexual revolution that began the previous decade. In addition, the book brims with delightfully eccentric characters: Wink was born to a Jewish mother in Germany who was sent to a concentration camp and was brought to the United States by adoptive parents who were Nazis. Furthermore, Imogene is a fascinatingly unclassifiable heroine and revels in her resistance to the conventional categories of sexual identity: “I won’t be forced to be part of any group, gay or straight, that assumes they can exert any kind of control over me.” But the book loses a lot of steam after the first 100 pages, and its buoyant pace slackens into a lumbering crawl. What would have made an electric novella is drawn out into an overly ambitious epic. In addition, the prose, especially the dialogue, is consistently overwritten and overwrought, delivering the kind of lines one would expect from a daytime soap opera. Speaking to her cat, Imogene says, “My poor little, dear little, innocent little, perfect little Pansy. It’s just that I met someone last night, Pansy. And, I’m positive she’s the person I’ve been looking for all my life.”

A thrilling premise and a strong heroine hampered by shaky execution.

Pub Date: Oct. 3, 2014

ISBN: 978-0-940548-01-5

Page Count: 383

Publisher: Cantine Kilpatrick Publications

Review Posted Online: Jan. 18, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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