A vivid if overwrought portrait of another emotionally fragile, sensitive young woman who's saved from self- destructiveand often plain dumbbehavior by finding herself. In settings as disparate as Paris, New York City, and Marin county, the Boston-born Espinosa (Dark Plums, 1995, not reviewed) tells the story of Rosa, a young American woman who, in 1962, flees to Paris ``after a terrible year inside an institution with pastel walls . . . to get away from the accusing, interrogating voices, the turmoil of the past.'' Depressed and sick, she moves in with Antonio, a Chilean writer who not only nurses her but saves her from yet another breakdown. Antonio, 15 years older than Rosa and a mass of contradictory emotions, has never duplicated the critical success of his first novel, published in Chile, and now, bitter and alienated, supports himself by doing odd menial jobs and occasional writing; he is also, except when he's in ``one of his crazy, drunken, nasty moods,'' remarkably intuitive. It's this intuition that keeps Rosa in a relationship that almost immediately becomes sadomasochistic and destructive. The two marry when Rosa discovers she's pregnant; a baby, Isabel, is born; and soon Antonio, who relies on Rosa and her wealthy family for money, is drinking to excess, having affairs, beating and humiliating Rosa, even seducing her own mother when she visits Paris. Finally, the couple moves to the US, where Antonio's dissatisfactions and Rosa's unresolved problems with her family only exacerbate the relationship. A move to California follows, and though the marriage deteriorates even further, Rosa, determined to give Isabel a better life, discovers an inner strength and ambitionthough it's too late for poor Antonio. A powerfully written tale of very messy lives, with all their sordid goings-on spotlightedbut with no shading for relief or credibility.
Pub Date: Nov. 1, 1995
ISBN: 1-55885-145-3
Page Count: 298
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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