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KNOWING JESSE

A MOTHER’S STORY OF GRIEF, GRACE, AND EVERYDAY BLISS

Heartwarming.

A mother’s passion-filled memoir of her fight to give her disabled son the life he deserved.

In 1987, screenwriter and actress Leone gave birth to Jesse, a premature boy whose prognosis was poor and future uncertain. He lived to be 17. Though a quadriplegic who suffered severe seizures and could not talk, Jesse loved to learn, think and communicate in other ways. At first glance, the memoir appears to be a mournful keen with spiritual overtones, but it turns out to be nothing of the kind. Love for her son and rage at those who did not see him as worthwhile permeate the narrative, which surprises with its humor and frankness. Jesse came home from the hospital to a small apartment in Hoboken, N.J., where Leone and her husband, actor Christ Cooper, soon discovered the difficulties of securing the required services for their disabled child. By the time Jesse was six, Cooper’s career was thriving, and they bought a house in Massachusetts, expecting that the situation would be better there. The second half of the memoir recounts Leone’s attempts to ensure that Jesse received the schooling entitled to him by the law. The couple was blessed with a succession of loving caretakers for Jesse at home, but Leone was frustrated by the failings of the public school’s special-education program. A self-described “rageaholic,” she battled the system, at first alone, then as part of a successful campaign with other angry parents of disabled children. Leone’s character sketches are deft and humorous, and included throughout are selections of Jesse’s poetry and photographs of the boy with family and friends, attesting to a life that, though short and often painful, was filled with accomplishment, love and joy.

Heartwarming.

Pub Date: Sept. 7, 2010

ISBN: 978-1-4391-8392-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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