A fresh, chaotic and sexy updating of the cross-cultural experience.
Wildly profane and funny riffs on folklore, chronicling the adventures of two very modern Chinese-American sisters.
Mei Ling and Moonie Wong may live in contemporary California, but their iron-willed grandmother will not let the twins forget their ancestral land, or the wrongs done to it. On reading that a pond stocked with carp is a gift from the Japanese, Grandmother plucks an enormous fish from the water. “Remember this,” she instructs. “Hirohito was a mass murderer and a rapist and this pond was built with Chinese blood.” Then she smashes the carp’s head five times against a stone wall (“This one is for Manchuria, this one for Nanking…”) and takes it home to cook. Mei Ling and Moonie are supposed to forego all the temptations of modern San Diego and be dutiful, silent and chaste. Once they are old enough to drive, they have to spend holidays delivering mediocre Chinese-American food from their suburban family restaurant, “wearing red satin hapi coats with…‘Double Happiness’ embroidered on the back.” But like the heroines of some ancient Chinese drama, the sisters are too strong-willed for subservience. Mei Ling is unabashedly promiscuous, enjoying the multicultural young men she attracts, while Moonie flirts with homosexuality and violence, wreaking havoc on anyone who stands in her way. Forty brief vignettes (“Why Men Are Dogs,” “After Enlightenment, There Is Yam Gruel,” etc.) reveal that both girls are in fact much like their grandmother. In this loosely knit series of short stories, many of which are based on Buddhist and Taoist parables as well as Chinese ghost stories, poet Chin (Rhapsody in Plain Yellow, 2003) spins out two young lives with outrageous humor. Multifaceted rather than linear, magical rather than literal, these tales tend to focus on the twins’ childhood and adolescence, often presenting contrasting views of such similar rites of passages as dating and the loss of virginity.
A fresh, chaotic and sexy updating of the cross-cultural experience.Pub Date: Sept. 1, 2009
ISBN: 978-0-393-33145-5
Page Count: 208
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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