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THE ISLAND OF THE MAPMAKER'S WIFE

AND OTHER TALES

An unfulfilling first collection containing a short story and four heavily detailed but quirky novellas, by O. Henry Prize winner and Kenyon Review contributor Sides. All five tales place lonely characters in obsessive subcultures. In the title piece, the shortest and best of the novellas, a spinsterish 40-year-old Boston-based dealer travels to Amsterdam to view two unusual picture maps—her specialty—being offered for sale, one of which, she discovers, showing the outline of an island that evokes her own buried eroticism. In ``Kites,'' a young husband on vacation with his wife, who has been trying to conceive a child, contemplates the wife's sudden passion for kites with fear and envy of the freedom they represent for her. ``The Bead Trade'' explores a middle-aged man's unrequited romantic obsession with a female sculptor whose commissioned work—carving and installing a set of giant beads made of granite boulders- -magnifies the meaning of his work, collecting and selling the small, handmade Central American beads that he's come to love. In the long (too long) novella, ``The Master of the Pink Glyphs,'' Morley—a Cambridge schoolteacher whose European lover has left her to travel and may even have died on a visit to Burma or Java—routs herself from lethargy and plans a Mexican trip that turns into an archeological expedition obscurely in his honor. And in the short story, ``Temporary Tattoos,'' Bingham, a similarly lonely young Boston businesswoman, tries to excise the memory of a lost lover by taking temporary measures—getting a washable tattoo, having an office affair—that threaten to become permanent. In all five pieces, characters' lives are not really enriched by their meticulously presented experiences; rather, their obsessions are hardened when they try to share their inner lives and can't. The result is a series of small, dusty, dim fictional worlds. A gifted writer, but hard going.

Pub Date: June 1, 1996

ISBN: 0-517-70395-5

Page Count: 272

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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