An engaging opus, packed with action and conspirators, that gains punch and steam after a sluggish start.

Justifiable Evil

An array of players instigates a three-pronged terrorist attack in Puerto Rico in this debut thriller.

A mysterious man named San Miguel meets with accomplices regarding their plan to wreak havoc in Puerto Rico’s Old San Juan area by blowing up bridges and capturing hostages at a hotel, cruise ship, and the governor’s residence. The terrorists’ stated aim is independence for Puerto Rico, with a student group, Socialist militants, and consulting Venezuelan army specialists all part of the coalition. Yet San Miguel, whose nationality is unclear, also has a henchman wheel a “device” to a secret location within the city. The terrorist plot is executed successfully, forcing officials and everyday people to react. A key responder turns out to be Lucas Alfaro, who runs a jewelry shop in Old San Juan yet also has Army Ranger training. Rushing to the governor’s residence to rescue his godson, who’s visiting the leader’s young son, Lucas manages to disrupt the terrorists’ operations. His TV reporter sister Michelle plays a part as well, as does a professional male escort aboard the cruise ship. Working with these citizen helpers and trying to meet the terrorists’ demands for cash and the release of an imprisoned militant leader is a weary police superintendent, who’s also tracking a mole within his department. Before the novel’s end, there’s renewed patriotism and harmony in Puerto Rico, but then Lucas discovers, and must foil, San Miguel’s plans for that device. In this novel, Pabon creates a fun, San Juan–set pastiche of cinematic blockbusters such as Independence Day, Die Hard, Poseidon Adventure, Rambo, and, especially, given the story’s tense showdown, Speed. The narrative gets off to a slow start, burdened by having to introduce its overly extensive cross-section of characters and provide the flavor of its political backdrop. Somewhat fuzzy, especially to a non-native, is whether some political/historical elements are fictional or not. Still, once the plot gets rolling, the author effectively cross-cuts between his three theaters of war, providing a page-turning brew of humor, pathos, and suspense.

An engaging opus, packed with action and conspirators, that gains punch and steam after a sluggish start.

Pub Date: April 1, 2016

ISBN: 978-0-9965481-5-1

Page Count: 1190

Publisher: IPBooks

Review Posted Online: May 12, 2016

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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