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THE EDGE OF HEAVEN

An acclaimed chronicler of black women's lives (And Do Remember Me, 1992, etc.) shows what happens when a good marriage goes bad. Set in the sophisticated milieu of black professionals living in Washington, the story is told by Teresa and her parents, Lena and Ryland. It begins on the day that Lena is to be released on parole from a women's prison in West Virginia after having served a four-year sentence for manslaughter. Teresa, who's been living with grandmother Adele ever since her younger sister Kenya died, hasn't told her chums or her boyfriend Simon the truth about her mother. Now in college and working as a summer intern in a Washington law firm, she viscerally dreads her mother's return. As the story moves back and forth in time, Teresa reveals how she's long felt torn between hating her mother for what she did and pitying her for what she had to endure. Before everything went wrong, her mother had been someone to admire: a successful accountant in a top firm and a loving mother and wife. Her husband Ryland, an artist who worked at home and took care of the two girls, had been especially close to Kenya, who shared his love for art. But as Lena's career flourished, Ryland's languished, causing friction that proved difficult to mend. The couple's quarrels turned increasingly violent, until Ryland finally moved out. His departure unhinged Lena, who started drinking and, in anger, accidentally pushed Kenya down the stairs. Even so, as Golden persuades us, these women can be strong on their own terms. Emotions run high—the plights of black (and white) women let down by men and the world are sharply etched—but telling insights soften the rage and give it balance. For Lena and Teresa alike, life will go on. Golden, in her fourth novel, is writing in top form.

Pub Date: Jan. 5, 1998

ISBN: 0-385-41507-9

Page Count: 256

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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