Steeped in the charm and traditions of tea drinking and underlaid with serious thought about compassion, this novel is...
In this seriocomic novel, a large corporation tries to take control and threaten the traditional way of life in a tiny tea-producing island nation.
Viridis, also known as Green Island, is a tiny fictional nation founded in the 12th century by a mixed-race crew whose ship was blown off course while returning from Canton. Thomas Burke, descendant of an island founder, left home to pursue a career in mathematics, specializing in prediction theory; Viridians call him “Figas,” patois for “Figures.” Now, a foundation director has tapped him to return and warn the gentle islanders that Viridis’ tea—more expensive per ounce than gold—is in danger of attracting greedy attention. When an occupying force takes over Viridis, Figas and the locals face an enormous challenge: how to find an island way of protecting themselves. They call on sacrifice, patience, showmanship, and the spirit of the island—and readers will join the cheering section. In his accomplished debut novel, Seiler deftly sketches memorable, diverse characters while drawing on fascinating historical background. Witty, idiomatic dialogue provides many pithy lines: “a fox is a wolf who sends flowers”; “The Buddha would play viola….It’s the middle way.” The opening setup—not to mention the novel’s charm, wit, and underlying seriousness—recalls The Mouse That Roared by Leonard Wibberley, but this is—like Sighing Woman tea—a unique and flavorful blend, by turns comic, poignant, philosophical, and romantic. As the book progresses, it gets tighter, funnier, and more deeply emotional. Seiler never condescends to his islanders; they may act in comical ways, but they, the island, and their tea are to be taken seriously. Nor are the invaders uniformly evil: an Irish soldier’s good heart makes an excellent counterpoint to the blockheaded Cmdr. Prescott. Seiler nicely handles the islanders’ tricky maneuvers to outwit the invaders, holding enough back for suspense and providing several well-done set pieces that reveal the islanders’ gifts with satisfying payoffs.
Steeped in the charm and traditions of tea drinking and underlaid with serious thought about compassion, this novel is simply wonderful. A delight to read from start to finish.Pub Date: Oct. 15, 2014
ISBN: 978-1499063622
Page Count: 390
Publisher: Xlibris
Review Posted Online: Jan. 30, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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