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IBID: A LIFE

A NOVEL IN FOOTNOTES

Humorous, quick like the wind: fiction that peers at an imaginary life never head-on but through a multitude of sideways...

Having an extra leg doesn’t mean you can’t have a full life.

When author Dunn (the fictional one, not the real one who wrote Ella Minnow Pea, 2001) sent the only manuscript copy of his new novel to the editor at MacAdam/Cage, the editor promptly destroyed it (accidentally, in her bath), leaving no choice but to publish the end matter as a book in its own right. This rather daunting idea is made more palatable by the fact that Dunn is not only rather garrulous in his notes, but that his subject, the fictional life of three-legged Jonathan Blashette, is dramatic enough to be told easily in the margins. To nobody’s surprise, the Arkansas-born Blashette finds work early in life as a circus freak, with Thaddeus Grund and his Traveling Circus and Wild West Show. It’s a marginal existence, being stuck in a second-rate carnival, and three-legged Blashette is made for bigger things. After a stint in WWI, Blashette has a revolutionary idea: men’s underarm deodorant. His company, Dandy-de-odor-o, Inc., is bankrolled by J.P. Morgan, whom Blashette met in his circus days (a long story), just one of the many famous people Blashette would claim to have met in his life. There was the cab ride with the man who would become Rudolph Valentino, and drinks with the likes of Leni Riefenstahl, Woody Guthrie, and Betty Ford. Dunn’s tale is a sort of anti–E.L. Doctorow one: historical fiction of a sort, covering the 1880s through the 1960s, but refreshingly non-epic, reveling in odd comic details (like the unimpressive Bowery Hotel “Round Table” that Blashette belonged to, sad imitation of the Algonquin) and non sequiturs of the David Foster Wallace school.

Humorous, quick like the wind: fiction that peers at an imaginary life never head-on but through a multitude of sideways glances, peeking through fingers and intimating stranger things than can be imagined in the light of day.

Pub Date: March 8, 2004

ISBN: 1-931561-65-6

Page Count: 280

Publisher: MacAdam/Cage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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