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THE CASE OF THE DISASTROUS DRAGON

From the Tales of Monstrovia series

This entry, infused with sly humor and anchored by a relatable hero, doesn’t disappoint.

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A 12-year-old boy is alarmed when his lawyer uncle’s new client turns out to be a fire-breathing dragon in Newhouse’s (Alice in Batsylvania, 2016, etc.) second middle-grade comic-fantasy series installment.

Young Brodie is just beginning to adjust to life in the unusual town of Monstrovia. His divorced parents are still away (Mom’s in China, Dad’s in the military), so he’s staying with his Uncle Jasper, one of the few other humans in the city and an attorney to trolls, giants, and all manner of beings out of folktales, fairy tales, and myth. In the series debut, Brodie provided a clue that enabled Jasper to help Jack (of “Jack and the Beanstalk” fame) avoid a giant-killing murder rap. Now Jasper is enlisting Brodie to help in his next case, involving a fuzzy-cheeked, fire-breathing Serpentake (a rare type of dragon) and his offspring, who are being evicted from their ancestral forest home to make way for a dump. Newhouse treats readers to an inventive world of literature-referencing wackiness, including bear-headed peacekeepers; the late Wicked Witch of the West’s flying monkeys, now freelancing as thuggish enforcers; the Big Bad Wolf’s lawyer brother; a speed-obsessed cabbie in a car shaped like a mushroom; a “wacked-out computer” called “the Brain,” controlled by thoughts and emotions; and much more. Brodie is portrayed as much more than just a human foil for the nonhuman shenanigans, however. As the story progresses, so does the protagonist’s deepening understanding of himself and others, helped by his growing sympathy for the Serpentake’s chaos-causing dragon babies and his friendship with Emily Beanstalk, Jack’s “humanoid” and “good percentage fictional” sister. Throughout, Newhouse never loses sight of Brodie’s shifting perspective, skillfully weaving the plot around the believably prickly, puzzle-loving young protagonist.

This entry, infused with sly humor and anchored by a relatable hero, doesn’t disappoint.

Pub Date: Sept. 2, 2016

ISBN: 978-1-5374-5759-8

Page Count: 176

Publisher: AimHi Press

Review Posted Online: Jan. 29, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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