by Mark Haddon ‧ RELEASE DATE: June 17, 2003
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy,...
Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who’s also a math genius.
Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”—and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched—any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it—and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds—his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced “maths” in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly.
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.Pub Date: June 17, 2003
ISBN: 0-385-50945-6
Page Count: 224
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
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by Ethan Canin ‧ RELEASE DATE: Feb. 1, 1994
Canin's return to short fiction should be a cause for welcome- -yet isn't, disappointingly. In four adipose, rhetorical, quite forced long stories, he continues—as in his unfortunate last book, the novel Blue River (1991)—to strive for ``wise'' adult tonalities. But these rich, deep voices all but neglect the small flashes of humaneness and helpless knowledge that made Canin's debut collection, Emperor of the Air (1988), remarkable—turning him into a writer who builds high, fussy, false ceilings without walls to support them. Upon an unstartling theme—that we repeat as adults what we do as children- -each story here plays out a variation. In the baldest, the title piece, a powerful captain of industry still is moved to impress his elderly prep-school teacher with his temerity and moral sleaze. In ``Accountant,'' an old friend's later-life success throws a careful man to the edge of his rectitude. In ``City of Broken Hearts,'' a middle-aged father learns something about trust and love from his college-aged son. And in ``Batorsag and Szerelem,'' a boy observes in his elder genius brother what seem like signs of schizophrenia but are instead sexual misapprehensions. It's here that the book is most ragged but also most genuine-seeming: the younger boy has available to him an X-raying psychology no grown-up character in Canin ever does (Canin must be the ultimate ``kid-brother'' writer)—and it's frustrating that this quicksilver perceptiveness is given so little play in the stories, which are bulked-up instead with grown-up characters that are invariably slow, large, and overwide. The stories thus always seem to be wearing their parent's clothes—an effect that reaches into the prose itself, a simulacrum of Cheeverian and Peter Tayloresque modulation that in Canin's hands is just pomp and circumstance.
Pub Date: Feb. 1, 1994
ISBN: 0-679-41962-4
Page Count: 224
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
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by Geraldine Brooks ‧ RELEASE DATE: March 7, 2005
The battle scenes are riveting, the human drama flat.
Brooks combines her penchant for historical fiction (Year of Wonders, 2001, etc.) with the literary-reinvention genre as she imagines the Civil War from the viewpoint of Little Women’s Mr. March (a stand-in for Bronson Alcott).
In 1861, John March, a Union chaplain, writes to his family from Virginia, where he finds himself at an estate he remembers from his much earlier life. He’d come there as a young peddler and become a guest of the master, Mr. Clement, whom he initially admired for his culture and love of books. Then Clement discovered that March, with help from the light-skinned, lovely, and surprisingly educated house slave Grace, was teaching a slave child to read. The seeds of abolitionism were planted as March watched his would-be mentor beat Grace with cold mercilessness. When March’s unit makes camp in the now ruined estate, he finds Grace still there, nursing Clement, who is revealed to be, gasp, her father. Although drawn to Grace, March is true to his wife Marmee, and the story flashes back to their life together in Concord. Friends of Emerson and Thoreau, the pair became active in the Underground Railroad and raised their four daughters in wealth until March lost all his money in a scheme of John Brown’s. Now in the war-torn South, March finds himself embroiled in another scheme doomed to financial failure when his superiors order him to minister to the “contraband”: freed slaves working as employees for a northerner who has leased a liberated cotton plantation. The morally gray complications of this endeavor are the novel’s greatest strength. After many setbacks, the crop comes in, but the new plantation-owner is killed by marauders and his “employees” taken back into slavery. March, deathly ill, ends up in a Washington, DC, hospital, where Marmee visits and meets Grace, now a nurse. Readers of Little Women know the ending.
The battle scenes are riveting, the human drama flat.Pub Date: March 7, 2005
ISBN: 0-670-03335-9
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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