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THE SNOW KIMONO

Henshaw’s prose shimmers as his narrative becomes ever more nuanced, complex, and misleading.

Henshaw creates a world of psychological complexity and emotional subtlety in a story that moves from Paris to Japan and back again.

Auguste Jovert has been retired only a few months as inspector of police in Paris when he’s startled to receive a letter and photograph from his daughter, Mathilde, who only recently discovered her father’s identity. Thirty years earlier he’d worked in Algeria, where he met Mathilde’s mother. His immediate impulse is to crush the photograph and think it’s “too late,” and for a while, this particular mystery is put aside. Shortly thereafter, however, Jovert meets a neighbor, Tadashi Omura, a law professor at the Imperial University of Japan now living in Paris, who comes with his own cryptic issues about fathers and daughters. He spins a mesmerizing story about his relationship with Fumiko, whom he treats as a daughter though he claims she is not. In a series of detailed flashbacks he presents their relationship, on which one lie is piled onto another—for example, that Sachiko, Fumiko’s mother, died in childbirth. In the interstices of his long conversations with Omura, Jovert takes tentative steps to find Mathilde by using some of his contacts at police headquarters. Eventually the narrative of Omura’s past becomes ascendant and throws Jovert’s story into the background. We learn particularly lurid details about Omura’s friendship with Katsuo Ikeda, a brilliant student and friend of Omura’s, who becomes a writer and lives a profligate and amoral life, culminating in a murder. But with Omura, nothing is at it seems, and we find Ikeda’s life has also been constructed of elaborate fabrications.

Henshaw’s prose shimmers as his narrative becomes ever more nuanced, complex, and misleading.

Pub Date: June 9, 2015

ISBN: 978-1-922182-34-0

Page Count: 378

Publisher: Text

Review Posted Online: March 20, 2015

Kirkus Reviews Issue: April 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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