A wholly involving story with Faulkner-ian characters in a fully realized setting.
A dysfunctional family reflects the decay of New Orleans in debut author LaFlaur’s tale of brotherly love and menace.
Much like the lush, crumbling city in which it lives, the Weems family exists on the edge of decrepitude. Gasper, the deceased father whose odd demise haunts the ramshackle family home, was a cheerful but ineffectual man, and his ailing wife, Melba, and his elder son, Simpson, share his weak nature. If Gasper had any strength, it funneled into the younger son, Bartholomew, who holds his family hostage with his gargantuan body, constant consumption and zealous antics. He is the elephant in the room, and although his mother believes that he needs psychiatric help—and a job to augment her pitiful pension—she holds no sway over him. Neither does Simpson, his 36-year-old brother; he works a dead-end job in a copy shop by day and frequents a brothel by night—until his favorite nymphet, the only person he let through his emotional barriers, vanishes. Now all Simpson has left is his persistent dream of moving to San Francisco and becoming a poet, but his family ties bind him to his mother’s frailties and his brother’s psychotic tantrums. As Simpson wanders the “shadows of the city’s infrastructure” in the Gentilly section of town, he dreams of something else: fratricide. On those walks, LaFlaur’s descriptive talent shines. Fertile imagery drips like Spanish moss: the old buildings collapsing, “as though the humidity-sodden bricks were returning to mud,” while “cloud stacks glowed like the battlements of heaven.” Simpson’s mental landscape is equally vivid, drawn with such empathy and depth that readers will forgive his perpetual indecision and may even root for him to carry out the removal of his near-deranged brother.
A wholly involving story with Faulkner-ian characters in a fully realized setting.Pub Date: March 6, 2013
ISBN: 9780615729862
Page Count: 412
Publisher: Mid-City Books
Review Posted Online: May 15, 2013
Kirkus Reviews Issue: July 1, 2013
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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