THE LOST TRIBE

Poet/playwright’s Lee’s first novel, set in contemporary West Africa and loosely reminiscent of Heart of Darkness. Lee’s Marlow is Ben Chase, a not particularly religious American who has been working for a Christian relief agency, building solar ovens out of tinfoil in which he cooks frozen turkeys flown in from the States. Not surprisingly, the project failsñthe agency eventually loses interest in it—and Ben finds himself marooned in the capitol with a bedraggled group of expatriates. He hammers out a few articles for Reuters and, finding himself in a bit of political trouble, signs on with a well-digger for United Christian Relief—David Mather, Lee’s Kurtz. But unlike in Conrad, this turns out to be a journey not so much into the heart of darkness as into modern farce. Mather has evidence of a lost tribe called the Maji in the desert north country and mounts an expedition to see if they are the fabled Lost Tribe of Israel and, moreover, if they have maintained Christian traditions now lost to the world. Mather is like Kurtz, however, in that he is larger than life: He becomes a savior to a city dying of some mysterious virus when he brings them water. Unlike Kurtz, he’s a likable man, an incurable romantic who can nonetheless react forcefully to the thugs and bandits met along the way. The Maji don’t turn out to be anything like he’d hoped, and they may be about to kill him when a great sandstorm arrives and does the job for them. By a miracle—a noble old man has a premonition of it—a Ben Chase escapes to tell the tale. Conrad by way of Joyce Cary, with a dash of Graham Greene: the tale of a fool told by a fool. Still, diverting and unusual, from Lee’s mad expatriates to his often desperate but bemused Africans. (Author tour)

Pub Date: June 15, 1998

ISBN: 0-312-18695-9

Page Count: 256

Publisher: Picador

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1998

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more