Written on ice cubes in 86-proof ink. Quite amusing. And as perishable as the rock classics Pete reveres.
This time out, Lindquist (Carnival Desires, 1990, etc.) gives us Jane Austen in reverse.
Ex-grunge star Pete Tyler’s Seattle rock band fell apart eight years ago, and since then he’s become a lawyer. Now, at 36 and after sex with some 300 women, he wants to marry. Like the deal-making screenwriter in Carnival who wanted to leave the scene after too many “club sluts,” wifeless Pete floats through his days on raw unfiltered Camels and shots of Johnnie Walker while fearing the fast approach of age 40. Women still see some glamour, but not much, in the rock-star manqué, while at the moment Pete’s become page-one news in Seattle for prosecuting local rock guitarist Keith Johnson, a.k.a. Keith Junior, for the date rape of 19-year-old Amber Nickerson. Seattle is famed for its pickup rock bands, and Pete is still up to his follicles in rock, measuring every minute of the day against tunes and lyrics finely detailed throughout the story. He longs for the girl who got away 12 years ago, Beth Keller, whom he hasn’t seen since. He’s deep with a stripper named Winter, bright but not exactly marrying stuff, and has just taken up with Sub Pop A&R executive Esmé, to whose label Keith is signed. The novel’s big lift doesn’t come until Pete’s heavy-drinking assistant prosecutor, Scott, enters and starts spouting first-rate cynical witticisms like a Seattle Oscar Wilde: “The whole retro thing. You might be on the cutting edge with this marriage idea. It’s making a comeback . . . —marriage, adultery, promiscuity, alcoholism, Sinatra, the things that made this a great country.” And so Pete staggers in search of “the curative sensation of human contact” and “the redemptive power of passion.” Fruitlessly.
Written on ice cubes in 86-proof ink. Quite amusing. And as perishable as the rock classics Pete reveres.Pub Date: May 1, 2000
ISBN: 0-679-46302-X
Page Count: 256
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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