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A FISH OF SOME IMPORTANCE

A busy but breezy swashbuckling caper awash in intrigue and headlined by two indefatigable heroes.

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This third installment of a historical mystery series by a London-based American playwright reunites readers with two clever 19th-century sleuths.

After successfully solving the mystery of missing cheese and investigating a gas leak explosion at a Baltimore museum exhibition, the crime-busters Cassius Lightner and his longtime fiancee, Amanda Crofton, return in fine form to address a seafaring murder in 1817. A flustered Crofton arrives at Lightner’s United States Patent Office to debate Superintendent Dr. William Thornton’s halted testing of her hand-held rocket harpoon invention, initially conceived for the American military. But that subplot is sidelined by the appearance of Denise LaSalle, a teenage paleontologist whose father is a Royal Navy captain. She’s teamed up with Lightner and Crofton to seek government funding to uncover proof that a giant sea monster existed at one time and could still be alive. Returning to assist the sleuths are former American sailor Charlie Dunn, who imparts some political wisdom on the country’s nagging problems with racial inequality, and Lightner’s astute sister, Caroline. When LaSalle turns up dead in the clutches of a beached sea creature’s tentacles, the mystery begins to churn, especially when Lightner and Crofton increasingly suspect foul play. Hidden bureaucracy, besmirched whalers, and a host of plausible suspects emerge from the depths of Giesser’s (A Nude of Some Importance, 2016, etc.) well-written, genteel-voiced whodunit, reliably steeped in American history as usual. The witty novel’s detective spadework plays out nicely against a backdrop of salty dialogue and strings of hit-or-miss jokes as well as narrative perspectives from both Lightner and Crofton. Crofton’s ingenious harpoon invention ends up making her a walking target because the idea “has the potential to revolutionize whaling and upset the current power structure in the industry.” Stirring the pot is Madeleine Serurier, the conniving wife of a former French minister to the United States and ex-friend of Crofton’s, whose greed has caused her to become a nefarious schemer. Fans of the author’s enchanting gumshoes will find them at their most sparkling and outspoken here, though the plot of this particular tale, featuring dark humor and political red tape, lacks momentum in spots. But the finale delivers a rousing courtroom melodrama that should certainly please readers.

A busy but breezy swashbuckling caper awash in intrigue and headlined by two indefatigable heroes.

Pub Date: Dec. 20, 2019

ISBN: 978-1-67844-994-0

Page Count: 219

Publisher: Self

Review Posted Online: Dec. 4, 2019

Kirkus Reviews Issue: Feb. 15, 2020

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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