Combining witty if occasionally silly wordplay, dark adult themes, and surprisingly sharp dialogue, Giesser creates a...
In 1815, a 1,250-pound wheel of cheese goes missing. A patent office clerk and his fiancee must recover it but not before there is a murder, a scandal in a whorehouse, and an unusually thoughtful nighttime interlude with a feline.
Mr. Cassius Lightner, a patent clerk, is not whom he at first appears to be. Neither is his whip-smart fiancee, Amanda, who chafes at the gendered reality of her era but refuses to simply bow down to male ego. The narrative of how Cassius and Amanda are first brought in to look for the cheese is lively from the start. Cassius, in a flash-forward, finds himself chained to the cheese and wondering in a quasi-lucid way about how history shall record his wild journey. The book eventually settles into a he said/she said POV structure in which one chapter is written from the point of view of Amanda, and the next is written from the POV of Cassius. With punchy wit and clever turns of phrase, Giesser fills his leads with modern vivacity and tenacity, which makes the unfurling of the mystery of the missing cheese a pleasure to witness. “Killing does have a finality about it,” says Cassius. “Brackenridge just nodded. Father always said sex was funnier than death, but you work with the opening you have.” In this sense, the book’s wordplay is reminiscent of the works of P.G. Wodehouse, although Giesser meanders into far darker and more salacious territory. The story of Anne, a prostitute frequented by Cassius, is rendered with surprising reality and nuance. The black humor of the book, combined with its nonstop pithiness and overt cleverness, makes it an enjoyable, rapid-fire read. The balance of the inherently ridiculous—in this case, the missing cheese—and the macabre, including a murder, is balanced admirably well. Even though the book splits its time between the two leads, the overall tone and thrust of the work remains surprisingly even. As a work of darkly comic historical fiction, it’s a resounding success.
Combining witty if occasionally silly wordplay, dark adult themes, and surprisingly sharp dialogue, Giesser creates a modern-day comic novel about a series of 19th-century misadventures.Pub Date: April 24, 2015
ISBN: N/A
Page Count: -
Publisher: CreateSpace
Review Posted Online: April 10, 2015
Kirkus Reviews Issue: June 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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