THE MAN IN THE ROCKEFELLER SUIT

THE ASTONISHING RISE AND SPECTACULAR FALL OF A SERIAL IMPOSTOR

Vanity Fair contributing editor Seal (Wildflower: An Extraordinary Life and Untimely Death in Africa, 2009) unravels the complex case of “Clark Rockefeller,” a fiendishly clever con man who, over the course of three decades, insinuated himself into the highest echelons of American society using only his wits and a borrowed name.

Christian Karl Gerhartsreiter, a precocious teenager hailing from an obscure Bavarian village, felt he was destined for greatness, and such humble beginnings would not do. Consequently, he made his way to the United States, where he adopted a series of identities more in line with his self-image: patrician, wealthy, well-educated and possessed of impeccable social standing. In privileged enclaves nestled in exclusive pockets of California, Connecticut, New York and Boston, Gerhartsreiter spun wild stories of his family’s prominence and wealth (and invented an ever-changing professional resume, at various points claiming to be a Hollywood producer, Defense Department contractor and international financial advisor), charming their blue-blooded denizens with his erudition, sponge-like appropriation of manners and appearance and, most crucially, the magic name Rockefeller. Seal delineates his endless schemes in an irresistibly lucid and propulsive manner, and his characterizations of his many victims are richly observed. Readers will marvel at Gerhartsreiter’s ability to bamboozle his way into tony social clubs, jobs at eminent financial institutions (he had no qualifications or experience) and, most crucially, into the affections of wife Sandra Boss, a savvy financial wunderkind who nonetheless funded “Rockefeller’s” lavish lifestyle in complete ignorance of his true identity. The narrative occasionally takes some dark turns. Seal makes a strong case naming Gerhartsreiter as the likely murderer of a young couple who fell under his sway early in his career, and the impostor’s kidnapping of his own daughter once his façade began to crumble is uncomfortably gripping material. Impossible to put down—Patricia Highsmith couldn’t have written a more compelling thriller.

 

Pub Date: June 7, 2011

ISBN: 978-0-670-02274-8

Page Count: 336

Publisher: Viking

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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