Transports readers into the midst of an incandescent, doomed life.

WILDFLOWER

AN EXTRAORDINARY LIFE AND UNTIMELY DEATH IN AFRICA

Zesty biography of wildlife documentarian and conservationist Joan Root (1937–2006).

By the time Alan and Joan Root’s marriage ended in 1981, they had gained renown as documentary filmmakers of Africa’s fauna—or rather Alan had, as Vanity Fair contributing editor Seal makes clear. Spouting ideas and exuding reckless energy, Alan was the kind of gentleman who tended to hog all the oxygen, while shy, retiring Joan sturdily managed their affairs and the support side of the operation. (“You were the wind beneath my wings,” he admitted in a letter after their divorce.) But she would involuntarily steal the headlines in 2006 when she was shot to death in her home in Kenya, perhaps by robbers, perhaps by people angered by her strong stand against poaching and pollution. To make sense of that unsolved crime, Seal offers a detailed look at Root’s life. The author talked extensively with her former husband and had access to a trove of Joan’s diaries and letters (many unsent to Alan). Limning the Roots’ marriage and professional collaboration, Seal captures both the extraordinary quality of their work and Joan’s personality—specifically her attraction to her emotional opposite in Alan and her depression when he left. Seal expertly draws out the drama of the Roots’ days afield, “being chased, mauled, bitten, gored, and stung by every conceivable creature as they drove, flew, ran, and swam across Africa,” filming as they went. Even more compelling is the author’s portrait of the years Joan spent alone on the shores of Kenya’s Lake Naivasha, her fortitude in trying to protect the ecologically fragile area from poaching and illegal fishing and the fallout of the flower industry that sprang up on its shore. These were complex issues that braided social, economic and cultural factors, further fraught by Joan’s relationship with a poacher.

Transports readers into the midst of an incandescent, doomed life.

Pub Date: June 2, 2009

ISBN: 978-1-4000-6736-7

Page Count: 240

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2009

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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