by Mark Smith ‧ RELEASE DATE: July 12, 2017
A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.
In Smith’s debut thriller, a psychologist comes to believe that a patient, who claims to have four ghosts in his body, is responsible for a number of deaths.
One of David Summers’ more unusual patients in the Behavioral Care Unit at the South Regional Medical Center is Mark Smith in Room 316. Smith says that his body contains several ghosts who function as a single entity—those of Tom Williams; his brother, William; and each man’s son, Ben and Mike. Certainly it could be psychosis, but Summers soon finds that strange, inexplicable events seems to happen to Smith. One day, the patient seemingly disappears from a secured room; if the security footage is to be believed, he vanished into thin air. Things take a more frightening turn after a doctor dies in an apparent accident: Summers receives an envelope containing an item referencing the death—postmarked the day before it happened. The missing patient then inexplicably returns to the hospital, and more deaths occur, followed by more envelopes. Before long, the doctor concludes that Smith is, in fact, a bona fide collection of ghosts, just as he claims. Not only is Smith somehow behind the deaths, he thinks, but he’s also certain that he’ll kill many more people. The only option, as far as Summers is concerned, is killing Smith, so he concocts a risky plan that involves delving into the histories of the four ghosts. If it works, the doctor could save the world; if not, billions of people could potentially die. The author impressively retains a sense of ambiguity through this horror novel. The existence of Smith’s ghosts is largely murky, as they could simply be part of the man’s psychological condition. Moreover, Summers acknowledges that he has no proof that his patient is a murderer, and he even generates a few practical theories to explain Smith’s apparent ability to read minds. Despite the story’s shocking and occasionally gruesome deaths, the narrative often has a tongue-in-cheek tone, with nary an expletive in sight. It even teases the upcoming demises of characters, who typically have mere hours left to live. This rather blasé approach, however, makes it hard to sympathize with the victims: a couple murders are even stamped with the impish refrain, “Isn’t life strange?” In the same vein, the dialogue between Summers and his co-worker, psychiatrist Jonathan Stills, or his gynecologist pal, Sam Jackson, mixes expertise with puerility. Summers, for instance, tells Sam of a patient who was “flat-out bat-crap crazy” and hated nearly everyone: “I don’t mean hate like hate. I mean hate like real hate.” Still, Summers is a worthy protagonist whose plan stems from concern for others, and he draws on a recurring Bible verse, John 15:13, for inspiration. His scheme for stopping Smith unravels slowly, although he handles it meticulously. All the while, he admirably ensures others’ safety, persuading at least one person to get far away from him.
A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.Pub Date: July 12, 2017
ISBN: 978-1-5218-1531-1
Page Count: 310
Publisher: CreateSpace
Review Posted Online: Aug. 2, 2017
Review Program: Kirkus Indie
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by Mark Smith
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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