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GHOST(S)

A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.

In Smith’s debut thriller, a psychologist comes to believe that a patient, who claims to have four ghosts in his body, is responsible for a number of deaths.

One of David Summers’ more unusual patients in the Behavioral Care Unit at the South Regional Medical Center is Mark Smith in Room 316. Smith says that his body contains several ghosts who function as a single entity—those of Tom Williams; his brother, William; and each man’s son, Ben and Mike. Certainly it could be psychosis, but Summers soon finds that strange, inexplicable events seems to happen to Smith. One day, the patient seemingly disappears from a secured room; if the security footage is to be believed, he vanished into thin air. Things take a more frightening turn after a doctor dies in an apparent accident: Summers receives an envelope containing an item referencing the death—postmarked the day before it happened. The missing patient then inexplicably returns to the hospital, and more deaths occur, followed by more envelopes. Before long, the doctor concludes that Smith is, in fact, a bona fide collection of ghosts, just as he claims. Not only is Smith somehow behind the deaths, he thinks, but he’s also certain that he’ll kill many more people. The only option, as far as Summers is concerned, is killing Smith, so he concocts a risky plan that involves delving into the histories of the four ghosts. If it works, the doctor could save the world; if not, billions of people could potentially die. The author impressively retains a sense of ambiguity through this horror novel. The existence of Smith’s ghosts is largely murky, as they could simply be part of the man’s psychological condition. Moreover, Summers acknowledges that he has no proof that his patient is a murderer, and he even generates a few practical theories to explain Smith’s apparent ability to read minds. Despite the story’s shocking and occasionally gruesome deaths, the narrative often has a tongue-in-cheek tone, with nary an expletive in sight. It even teases the upcoming demises of characters, who typically have mere hours left to live. This rather blasé approach, however, makes it hard to sympathize with the victims: a couple murders are even stamped with the impish refrain, “Isn’t life strange?” In the same vein, the dialogue between Summers and his co-worker, psychiatrist Jonathan Stills, or his gynecologist pal, Sam Jackson, mixes expertise with puerility. Summers, for instance, tells Sam of a patient who was “flat-out bat-crap crazy” and hated nearly everyone: “I don’t mean hate like hate. I mean hate like real hate.” Still, Summers is a worthy protagonist whose plan stems from concern for others, and he draws on a recurring Bible verse, John 15:13, for inspiration. His scheme for stopping Smith unravels slowly, although he handles it meticulously. All the while, he admirably ensures others’ safety, persuading at least one person to get far away from him.

A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.

Pub Date: July 12, 2017

ISBN: 978-1-5218-1531-1

Page Count: 310

Publisher: CreateSpace

Review Posted Online: Aug. 2, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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