Vance Bourjaily and Harvey Swados used to write replete, ambitious novels like Crooked River Burning. A wonderful read that...
Dos Passos’s classic trilogy U.S.A. now has a rival, in this richly plotted, consistently engrossing big novel, which examines “the enormous dreams of a great northern city” as lived by its two principals and other members of the political and personal “worlds” through which they move.
The city is Cleveland during the years 1948–69, when it will rise to, and fall from, national prominence. Anne O’Connor is the willful youngest child of a wealthy Irish Catholic (and, yes, Kennedyesque) family whose patriarch is a powerful political boss—David Zielinsky, estranged son of a shady labor-union enforcer and a runaway film star who may have been murdered by her lover. In a hearty, hectoring omniscient narrative voice that addresses the reader (and occasionally the characters) directly, Winegardner traces this pair’s meetings and partings over the years, as Anne’s ambition to become a war correspondent is funneled into a moderately successful journalistic career, and David’s aspiration to his city’s mayoralty takes him as far as a city council seat. Running beneath the currents of their lives are the fortunes of Cleveland’s beloved professional sports franchises (Winegardner’s The Veracruz Blues, 1996, is one of our best-ever baseball novels). And a host of vividly drawn historical figures also appear: crimebuster Eliot Ness, Indians’ slugger Vic Wertz, accused murderer Dr. Sam Sheppard, and Browns’ place-kicker Lou (“The Toe”) Groza, and in chapters titled “Local Heroes” (which clearly echo Dos Passos’s “Camera Eye” sequences), such notables as radio-TV newswoman Dorothy Fuldheim and Cleveland’s first black mayor, Carl Stokes, make memorable extended appearances. In a striking climax, oil slicks cause the Cuyahoga River to “burn,” as it had years earlier—and Anne’s and David’s separate and common stories are thrown into powerfully ironic high relief.
Vance Bourjaily and Harvey Swados used to write replete, ambitious novels like Crooked River Burning. A wonderful read that brings the (recently much neglected) urban tradition in American fiction vibrantly back to life.Pub Date: Jan. 1, 2001
ISBN: 0-15-100294-0
Page Count: 576
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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