In the age-old tradition of romancers who refuse to let facts stand in the way of a great story, first-novelist Winegardner (Prophet of the Sandlots, 1990) hits the outside corner with an evocative reprise of Mexican baseball's single season in the sun. It's 1946, and sportswriter Frank Hollinger is reporting on the five Pasquel brothers' attempt to create a major-league rival south of the border. And, with access to apparently unlimited amounts of dinero, los hermanos (under the direction of free- spending Jorge, the consort of Maria Felix) give El Norte a run for its money. The brothers, in this pre-Jackie Robinson era, use generous bonuses and megabuck contracts to lure stateside professionals (Danny Gardella, Max Lanier, Sal Maglie, Mickey Owen), who have few difficulties teaming up with stars from the Negro leagues and Latin America. The problems are with the gun- toting Pasquels, who load the roster of the club representing Veracruz (their hometown) with the best talent and otherwise put paid to any notion that Mexican baseball is to be organized. Despite the best efforts of sinister jefes to fix the season's outcome, the imported players give loyal fans in several hinterland cities an unexpectedly close pennant race and a consistently high caliber of competition, while the visiting mercenaries also get to witness such mythic moments as the home run hit by Babe Ruth in his last turn at bat. Off the field, the hired hands pine for absent sweethearts, engage in torrid love affairs with local lasses, and party with the hard-living likes of Diego Rivera and Frida Kahlo. The idyll ends abruptly as a change in the capital's political climate leaves the Pasquels out in the cold. Years later, those who were involved have mostly fond memories of their sojourns, which they share in interviews with Hollinger, the older, wiser (somewhat), and forthrightly nostalgic narrator. An absorbing, episodic account of a brief fiesta that still lights up the summer game's storied past.
Pub Date: Feb. 1, 1996
ISBN: 0-670-86636-9
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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