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THE VERACRUZ BLUES

In the age-old tradition of romancers who refuse to let facts stand in the way of a great story, first-novelist Winegardner (Prophet of the Sandlots, 1990) hits the outside corner with an evocative reprise of Mexican baseball's single season in the sun. It's 1946, and sportswriter Frank Hollinger is reporting on the five Pasquel brothers' attempt to create a major-league rival south of the border. And, with access to apparently unlimited amounts of dinero, los hermanos (under the direction of free- spending Jorge, the consort of Maria Felix) give El Norte a run for its money. The brothers, in this pre-Jackie Robinson era, use generous bonuses and megabuck contracts to lure stateside professionals (Danny Gardella, Max Lanier, Sal Maglie, Mickey Owen), who have few difficulties teaming up with stars from the Negro leagues and Latin America. The problems are with the gun- toting Pasquels, who load the roster of the club representing Veracruz (their hometown) with the best talent and otherwise put paid to any notion that Mexican baseball is to be organized. Despite the best efforts of sinister jefes to fix the season's outcome, the imported players give loyal fans in several hinterland cities an unexpectedly close pennant race and a consistently high caliber of competition, while the visiting mercenaries also get to witness such mythic moments as the home run hit by Babe Ruth in his last turn at bat. Off the field, the hired hands pine for absent sweethearts, engage in torrid love affairs with local lasses, and party with the hard-living likes of Diego Rivera and Frida Kahlo. The idyll ends abruptly as a change in the capital's political climate leaves the Pasquels out in the cold. Years later, those who were involved have mostly fond memories of their sojourns, which they share in interviews with Hollinger, the older, wiser (somewhat), and forthrightly nostalgic narrator. An absorbing, episodic account of a brief fiesta that still lights up the summer game's storied past.

Pub Date: Feb. 1, 1996

ISBN: 0-670-86636-9

Page Count: 272

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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