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MESSAGE FROM FOREVER

Based on aboriginal beliefs, a yea-saying —wisdom book— by the author of the originally self-published Mutant Message Down Under, which, by 1994, had sold 370,000 copies in Australia alone. In the 1930s, an aboriginal pair of twins is born in the Australian outback. Neighboring whites, English-born and established in a mission settlement, are bent on —improving— the lives of native dwellers: —For forty years, the church had been building mission stations to house adult indigenous people extracted from the wilderness to civilize, educate, and save their souls.— As ruthless as they are righteous, the white folk forcibly remove the infant twins from their native mother. For the boy, named Geoff, this means that —at the age of seventy-two hours, the twin had severed all connection to his blood heritage. . . and would now become the ward of a wealthy, white rural family.— Meanwhile, his sister Beatrice struggles to make do in a ghastly Catholic orphanage. She’s denied an education, she’s molested by a priest, and she’s compelled to have a hysterectomy at age nine before graduating to a slave-labor job in a boardinghouse. By his mid-20s, the boy—now an alcoholic—has received a life sentence without parole, having been falsely accused of a double murder. The story is then given back to Beatrice. Dropping everything and hungry to understand her origins, she heads for the outback, where she ends up living with the Karoon (—first, original, unchanged—) tribe of Real People for 30 years. Coming from a Christian civilization, she fears that her forebears, whom she’s disposed to like, will disappoint her as models of human life. Instead, she enters their Dreamtime, becomes spiritually politicized to the Forever, and eventually reenters the outside world to work for the return of aborigines being held in foreign prisons. Morgan’s unflamboyant, matter-of-fact prose tends to keep euphoric philosophizing in check. Overall, her version of aboriginal life sounds much less presumptuous than New Ageism, and far more attractive.

Pub Date: July 1, 1998

ISBN: 0-06-019107-4

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1998

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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