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PERFECT

To be read by a roaring fire, with a plate of petits fours and a Kahlua café close at hand.

The world’s greatest jewel thief is called up to save the British crown jewels—and manages to have a little lunch along the way.

In her latest starring droll and perfectly lazy Kick Keswick (Priceless, 2004, etc.), Kellogg spins the thinnest thread of plot into a breezy, addictive entertainment with more smarts than it initially lets on. Kick is ensconced in delicious semi-retirement in Provence with husband Thomas, a onetime Scotland Yard inspector who as a sideline used to pinch people’s paintings and leave them at the police station with a note admonishing the owners to be more careful. When some of the Queen’s jewels are stolen, Thomas asks his bride to help recover them. The prime suspect is the Queen’s ex-valet, believed to have gone to ground in Mont-St.-Anges, an utterly secret valley in the Swiss mountains that serves as a hideout for the top one percent of the one percent, lorded over by multi-billionaire George Naxos. Thomas deposits Kick on the train to St. Moritz, but she changes outfits and steals away, determined to crack this case alone. First it’s off to Paris for some shopping (Thomas unwisely let slip that there was no limit on expenses) and working contacts in the world of the ridiculously wealthy. Before long, Kick has a believable identity as a Romanian princess and is lounging in Mont-St.-Anges. She’ll get around to finding the jewels eventually, after bolstering her stamina with a vigorous regimen of spa treatments and fabulous dinners. Kick is a delightful protagonist: utterly indulgent and yet self-disciplined, needing only herself to get through life, but loving her husband for the fun of it. Kellogg’s burnished prose deftly immerses readers in a deeply pleasurable world of shameless wealth, yet neither author nor heroine ever seems like a snob.

To be read by a roaring fire, with a plate of petits fours and a Kahlua café close at hand.

Pub Date: Aug. 18, 2005

ISBN: 0-312-33732-9

Page Count: 336

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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